I'm a new member. Check out my work here:
http://www.youtube.com/user/benspky
I look forward to hearing about your respective works.
-Benjamin Schultz-Figueroa
_
New Windows 7: Fin
A night of truly innovative, interdisciplinary curation boasting some of south England’s most promising new practitioners in contemporary performance, new media installation, interactive, participatory and visual arts installation, experimental choreography live and spoken art, sound-scapes and liv
Figuratively describing the country of Matrizenzubehoerleute…...
A N U R B A NO R G A N I C S W O R K S H O P
The city presents an unmapped, sparsely inhabited place,
extravagantly rich in unexplored resources, waiting as it were for
the arrival of someone to give form to the latent p
working with tours, transit and migration at the moment. there's
plenty to play with here.
On 19 Feb 2009, at 17:40, marc garrett wrote:
> Hi Pall & Benjamin,
>
> Great resource, but I am surprised...
>
> marc
>> that's insane
>>
>> On 19 Feb 2
that's insane
On 19 Feb 2009, at 17:18, marc garrett wrote:
> Hi Netbehaviourists,
>
> Something I found travelling the Internet :-)
>
> Listen To Live, Streaming Air Traffic Control Feeds From Around The
> World.
>
> http://www.liveatc.net/
>
> wishing all well.
>
> marc
>
funny. i had the same issue just last night. it is a nice system though.
On 12 Feb 2009, at 15:36, james of jwm-art net wrote:
> Hi Marc,Ruth, Furtherfield crew,
>
> Just a suggestion that would help me navigating around
> furtherfield.org.
>
> Where you have the swishy&clever links to the art
Developing programs of performance, visual, interactive and media
arts for a range of venues, one discovers a wide range of different
organisational praxis. The most confusing of which has to be a
concept introduced to me last night. "we have a strict not-for profit
policy" and "insist that
i proof and edit arts text (mostly translated or written by foreign
speakers (Russian, Spanish, Austrian, Italian, Hungarian) quite often
and have been since 2004.
happy to look over things for the sake of culture, if you ever want
to send anything by - incidentally, not that i find it diffi
On 3 Feb 2009, at 13:31, richard willis wrote:
i think simon just ably demonstrated why putting things in 'a more
everyday, comprehensive lanuguage, was/is problematic: you need
four times the amount of words to say the same thing. why write 'i
put my pen on the table' when you could write
On 3 Feb 2009, at 10:52, Simon Biggs wrote:
It is clear to me and I have no problems with the language.
The section that states “the potential of translocally networked
spatial practices”
translocational potential of networked spacial practices ?
this strain raises an interesting opportuni
what was the post called bob. sounds quite interesting
On 2 Feb 2009, at 22:14, info wrote:
> Thanks Bob,
>
> are you
> http://bobcatchpole.com/biography.php ?
>
> i'm really happy to see this kind of sculpure on netbehaviour. we just
> have to put an IP address on each of these object in order
act of decryption
>
> Off I go...
>
> C
>
> -Original Message-
> From: netbehaviour-boun...@netbehaviour.org
> [mailto:netbehaviour-boun...@netbehaviour.org] On Behalf Of benjamin
> Sent: 30 January 2009 1:39 PM
> To: NetBehaviour for networked distributed creativity
> Subj
cheers marc. i'm sitting here writing a solo for cello from a psycho
geographic journey to the river for exhibition this spring. sure
there's some useful theory in p22.
On 30 Jan 2009, at 13:30, marc garrett wrote:
> Hi Benjamin,
>
> Here is where it began :-)
>
>
i cant find the rest of this conversation. has the title changed ?
On 30 Jan 2009, at 13:13, marc garrett wrote:
> Not sure Rob, but I know for a fact that he didn't use Midi :-)
>
> marc
>> On Fri, Jan 30, 2009 at 12:39 PM, marc garrett
>> wrote:
>>
>>> The idea was basic and simple-every lett
t any practice.
(been chatting to the bones recently)
Warm regards,
Benjamin.
On 26 Jan 2009, at 22:27, APO33 wrote:
> Hi
> we are trying to set up a medialab since one year in Area10 where we
> could welcome such meeting and open the space for projects like that.
> We faced a lot of
i've a friend setting up some studio spaces - they'll be very
affordable - in bethnal green on hackney rd. - need a space myself
for development of collaborative art cultures
On 26 Jan 2009, at 14:36, benjamin wrote:
> im trying to set up a london based online support
im trying to set up a london based online support for the inter
exchange of technologies through a members market and a director of
useful stores and distributors. the site's nearly finished, though
there needs to be more in ways of function to properly qualify for a
specialist media lab fo
we need to redefine where people thing art is.
galleries like museums, dead, places of reflection;
art is something which happens with life and animation... and wine !
On 6 Jan 2009, at 18:51, { brad brace } wrote:
>
> well, you'll hate me, but I'll tell you: it's simply a ponzi
> scheme; the on
net behaviour is the next world power ?
On 5 Jan 2009, at 10:38, Mason Dixon wrote:
>>>
>>>
>>> it's good that you're making a record of "our" two-headed circus of
>>> war mongers and economists.
>>
>>
>> "As the "Art" World Turns"
>
> Oh My God. OMG. O. M. G. OMFG.
>
> seriously. is this rea
On 4 Jan 2009, at 17:35, marc garrett wrote:
> Hi Benjamin,
>
>> when you put it like that things do seem overwhelmingly negative. is
>> fascism the new peace ?
>
> The irony of it all, as powerful people propose that they are creating
> peace through killing others
when you put it like that things do seem overwhelmingly negative. is
fascism the new peace ?
On 4 Jan 2009, at 17:21, marc garrett wrote:
> Hi Benjamin,
>
> Yes, I understand what you mean in respect of things dying in people.
>
> I've been writing for this crisis pro
i don't think you necessarily have a negative focus there marc.
i've been working on an event here in london. the curatorial focus is
death in the metropolis or death in the big city. researching and
discussing the things which die in people in london has been a very
interesting focus.
On
could i suggest that you perhpas make your own mailing list to
announce your new works ?.. or is THIS your list ?
On 17 Dec 2008, at 17:51, Alan Sondheim wrote:
>
>
>
> Last night at the ESP-Disk LIVE @ The Bowery Poetry Club event
>
>
> for the Barnacle release and my 1048 re-release
>
> htt
hello brad. i like your pdf. would you tell us a little more about
the project / the images ?
warm regards
benjamin
arts industries professional
ps. some problems with replying to your personal address
On 23 Nov 2008, at 23:56, { brad brace } wrote:
a small free pdf-photo book
know anything about the history of the museum/gallery,
> and if any Netbehaviourists could refer me to any decent
> histories/historians here, I'd appreciate it!
>
> Thanks,
> Vijay
>
> 2008/11/18 benjamin <[EMAIL PROTECTED]>:
>> it does, generally. such wi
it does, generally. such wide spread adhesion to the bourgeois idea
that museums (in the institutional form predating the Anglophonic
notion of "gallery") should be free. Such socially specific notions
have rarely been adopted by the theatric arts.
On 18 Nov 2008, at 15:12, bob catchpole
you might find ideasonair an interesting project simon: http://
www.ideasonair.net/aboutideasonair.html
On 18 Nov 2008, at 14:51, Simon Biggs wrote:
I think that makes you a quantum artist! Is that a first? Or are
all artists quantum? Can we have quantum art objects (both
commodities and no
do you have a rhizome card sir ?
On 18 Nov 2008, at 14:45, richard willis wrote:
sounds great, i'll take two. will i get any nectar points?
2008/11/18 benjamin <[EMAIL PROTECTED]>
Noun
commodity (plural commodities)
Anything movable (a good) that is bought and sold.
1995, James
Noun
commodity (plural commodities)
Anything movable (a good) that is bought and sold.
1995, James G. Carrier, Gifts and Commodities: Exchange and Western
Capitalism Since 1700, p.122[[1]]
If a key part of shopping is the conversion of anonymous commodities
into possessions, shopping is a cult
contact me on [EMAIL PROTECTED]
best wishes,
sincerely,
Benjamin Bailey de Paor
Arts industries professional
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Artes.net is a proposal for a union of artists working in voluntary,
intern, unpaid and non arts employment in London, England.
If you would like to discuss the intentions of the union or to become
involved, please let me know.
Best wishes,
Sincerely,
Benjamin Bailey de Paor
Arts
r.net
http://twitter.com/jogador
Skype: ideasonair
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Benjamin R Bailey de Paor
Arts industries professional
cultura3
__
ood for it.
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Benjamin R Bailey de Paor
Arts industries professional
cultura3
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org/mailman/listinfo/netbehaviour
Benjamin R Bailey de Paor
Arts industries professional
cultura3
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aight,
then the picture would not be a rectangle.
the picture is not a rectangle anyway.
through my work with coding i have come to see that no ones work is
their own, we can simply make manifest with the materials we have
learned to control.
Benjamin R. Bailey de Paor
Arts industries profess
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