Start by downloading the current ACES OCIO config from here:
https://github.com/hpd/OpenColorIO-Configs
Point Nuke at:
aces_1.0.1/config.ocio
Then create an OCIOColorspace node and set the *in* to:
"Input - Sony - S-Log1 - S-Gamut"
On Sat, 30 Jan 2016 at 16:53 Feli di Giorgio wrote:
> Can som
Has anyone got Nuke 9's new internal flipbook to do more than just play
back a single clip?
Can it be:
Launched from a shell?
Fed multiple input clips?
Ideally I'd like to set it up to playback stuff in edit context. But I cant
really find the appropriate place to start poking at it. It only seem
> (e.g. a TIF)?
>>
>> There's no way I can actually render out the final thing directly out of
>> Nuke?
>>
>> // Fredrik
>>
>>
>> On Fri, Oct 17, 2014 at 9:43 AM, Alex Fry wrote:
>>
>>> *Workable*: use standard Nuke 1D sRGB disp
Depends how down and dirty you want to get..
*Ideal*: download ctl source for ACES, modify the sRGB ODT to output
Adobe98, create new LUTs, add them to the OCIO config. Set monitors to
Adobe98.. Do stuff.
(All normal ACES caveats implied)
*Workable*: use standard Nuke 1D sRGB display transform,
o go there, I can't even try to do the "right" thing.
>
>
> On 3/7/14, 10:15 AM, Alex Fry wrote:
>
> I'd be inclined to try aces-->slog using an OCIOcolorspace node as a
> starting point.
>
> On 7 Mar 2014, at 8:01 am, Frank Rueter wrote:
>
>
he VFX plates match the original
mxf raw files. It's not perfect, but probably good enough in my case.
Needless to say that I'd prefer a less empirical way, but this seems to be
the only workable solution so far.
Cheers and thanks again for all your help Alex!
frank
On 3/7/14, 6:22 AM
>
>
>
>
> On Thu, Mar 6, 2014 at 11:51 AM, Alex Fry wrote:
>
>> The ACES values are scene linear.
>>
>> The difference with scene linear files you would have previously been
>> working with, is that whilst they would have been scene linear in their
>&g
The ACES values are scene linear.
The difference with scene linear files you would have previously been
working with, is that whilst they would have been scene linear in their
intensity, but their primaries are effectively display referred (either
Rec709 primaries or P3). Because their gamut and w
; 3. Use OCIO and wrap up your own modified nuke-default.
>
>
> --
> Deke Kincaid
> Creative Specialist
> The Foundry
> Skype: dekekincaid
> Tel: (310) 399 4555 - Mobile: (310) 883 4313
> Web: www.thefoundry.co.uk
> Email: d...@thefoundry.co.uk
>
>
> On Tue, Feb
"Rec709 or will this double lut my output since the display is rec709 and
were not trying to simulate rec709 on an srgb monitor?"
This is a common misconception..
The Rec709 viewer transform in Nuke *does not* simulate Rec709 on an sRGB
display.
It applies a scene linear to Rec709 camera encoding
You can do certain things like move the rearmost elements closer to the
image plane, but thats because of other factors.
In the case of smaller sensor DSLR cameras vs Full frame DSLR cameras, the
physical space required by the swinging mirror is reduced, so you can place
parts of the lens closer t
hat light is
recorded as an image, but an 18 is an 18 on any sensor. A bigger sensor
will give you a wider fov when you're shooting, but that's irrelevant to
the figures you put into Nuke after it's been shot. The lens is still an
18mm lens, and you don't need to convert it t
lex, I'll have a look. We have someone here saying
that the 18mm lens would not be an 18mm lens in our tracker settings, I
just want to make sure what they are saying is right.
Cheers.
D.
On 29/05/2012, at 4:57 PM, Alex Fry wrote:
The "crop factor" is described by the sensor measu
8mm lens in our tracker settings, I
> just want to make sure what they are saying is right.
>
> Cheers.
> D.
>
> On 29/05/2012, at 4:57 PM, Alex Fry wrote:
>
> The "crop factor" is described by the sensor measurements you input.
> Your 18mm lens is still 18mm,
The "crop factor" is described by the sensor measurements you input.
Your 18mm lens is still 18mm, no conversion is necessary, your field of
view has changed, but not your focal length..
An 18mm lens has a different field of view if its mounted on micro4/3, DX,
super35, 35 stills, 70mm or medium fo
Has anyone here looked at getting the Avid Artist hardware control
panels working with Nuke?
I can't really find any documentation about Avid's Eucon protocol.
Are there any barriers with nuke/python that make this impossible out
of the gate?
Is there a clear reason this hasn't been attempted befo
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