Hey.
I¹ve facilitated many dozens of Open Spaces in meetings and rehearsals and
MAYBE ten where someone has given me money to facilitate (as if that were my
job). (it isn¹t my job.)
I¹m not sure I understood the rules¹ so may be replying in the wrong
thread. (whoever replies is in the right thread
Here¹s an ³Open Space² evaluation to the Arts Council England, about an arts
project made entirely in OS.
We (Chaosbabies) thought you (us) might find it interesting.
We tried to find way to respond to ACE¹s need for us to a) tick boxes AND b)
be as different¹ as we¹d promised in our Open-Space-wr
Hello all,
Those of you using Open Space in the arts (and elsewhere perhaps) might like
to have a look here :
http://www.chaosbabyproject.co.uk/keeping-it-open/
Having worked on The Chaosbaby in Open Space, from the beginning of calling
it as a session at Improbable¹s devoted and Disgruntled OS i
Here¹s a link to my blog (written today) about falling back on/into/forward
with Open Space, specifically in making theatre work (in this case), when
everything else is falling apart ...
http://stelladuffy.wordpress.com/2012/11/10/making-theatre-in-open-space-liv
ing-the-five-principles/
I¹m very
Oh, I LOVE the idea of a three person Open Space.
Sent from my iPad
On 7 Sep 2012, at 21:06, oslist-requ...@lists.openspacetech.org wrote:
> exhilarating.
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I¹m not organising it either, nor do I have children, but I have attended
all the large-scale D&D Open Spaces that Improbable have organised and have
seen that over the years more people have brought their children, they have
been welcomed (from babies to teenagers), and their presence in that spac
Wow, that¹s so exciting.
I have long said (here in London) that Open Space reminds me of various hui
I attended in NZ in the 80s.
It¹s a joy to think of the Open Space spreading throughout Aotearoa from the
(literal) top (of the land) down.
Congratulations.
Stella x
On 10/06/2012 08:40, "Kerry
> Suzanne
>
> On Mon, May 28, 2012 at 6:20 PM, Stella Duffy wrote:
>> For the past two years, since the Improbable-hosted Devoted & Disgruntled in
>> 2010, I¹ve been convening a group of writers, directors, artists, actors,
>> musicians, performers (approx 60 in a
763-3261
>
> www.openspaceworld.com
> www.ho-image.com (Personal Website)
> To subscribe, unsubscribe, change your options, view the archives of OSLIST Go
> to:http://lists.openspacetech.org/listinfo.cgi/oslist-openspacetech.org
>
>
> From: oslist-boun...@l
a vindication of our choice to work
entirely in OS. And it started at D&D.
Thank you community,
Stella Duffy
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In tears, impressed, proud, (also, actually, relieved truly, kind of what
I would expect from both three of you. Doing what you do.) can¹t wait
for you to come to this home so we can welcome you back to Brixton.
Stella xx
On 20/01/2012 00:49, "Phelim McDermott" wrote:
> Dear open space fr
Oh that is SO exciting!!! Congratulations and thank you so much for sharing.
Stella x
On 22/12/2011 12:32, "Eslam Erman" wrote:
>
> Hello Everyone :)
>
> I have just finished uploading a new video of open space event held at
> Ismailia-Egypt "New Women For New Egypt" which was facilitated b
ld.com
> www.ho-image.com (Personal Website)
> To subscribe, unsubscribe, change your options, view the archives of OSLIST Go
> to:http://lists.openspacetech.org/listinfo.cgi/oslist-openspacetech.org
>
>
> From: oslist-boun...@lists.openspacetech.org
> [mailto:oslist-boun...
As I said earlier this week, I¹ve been directing a devised theatre piece, in
Open Space. When the daughter (aged 6) of one of our designers came to
rehearsal (there was no other childcare available for her, but it¹s def not
a kid¹s show), she got on with her own things, watched us for a bit, and
th
Inviting any London-based or London-near Open Space practitioners to a
post-show discussion at Ovalhouse Theatre this coming Wednesday 16th.
http://www.ovalhouse.com/whatson/detail/taniwhathames
For the past 6 months, and full-time for the past two weeks, I¹ve been
directing a show for theatre comp
The 5th Principle is not only important, it¹s vital.
In 1905, Hermann Minkowski, a mathematical physicist (who taught Einstein)
realised that the understanding of time needed space to define it, and that
the understanding of space needed time to define it. He created the concept
of spacetime the
Harrison, I¹m sorry for the loss of your friend.
When the ³Everything is Moving² piece was reposted last year, I believe I
mentioned the phrase had come up in a conversation I¹d had with a physicist
re a story I was writing, a commission to write about an actual moment in
physics history, & I was
hello all,
I've shared here before about editing a novel using OST, and am now in the
middle of a rehearsal process on a 'traditional' (ie scripted, by a writer,
before rehearsals start!) play - from our first day of rehearsals we've been
working in OS. Having done so most recently with Improbable
Happily heading for bed before a weekend in Paris, loving that the space is
open all through (my) night.
Stella x
On 26/8/10 11:34 pm, "Suzanne Daigle" wrote:
> Harrison,
>
> I accept the blame gladly if chiding you for being quiet led to this.
> Salutations to Ralph who inspired the "everyth
Thank you Harrison.
I have been struggling for some time with a short story commission bringing
eureka¹ science moments together with fiction, the one I¹m working on being
Minkowski¹s understanding (rather than an actual eureka moment) that brought
time together with the 3 dimensions of space, mak
Hi Suzanne,
This week I had lunch with a scientist (particle physicist) who is helping
me research a short story commission. We were talking about what he does
(work on the Hadron Collider at Cern in Switzerland for the past two years,
teaching graduate particle physics in Manchester) and what I d
Harrison, yes!, having 'improvised' all my first drafts, I've also allowed
the book to write me (aka 'story will out'), and the one time I did plan a
novel it ended up being so radically different to the plan it was a
different book, but never wanting to wait on a 'muse' has meant I have also
pushe
sketches.
> The thesis ended up being far too long and I had to cut it in half
> (several times over the many months of writing) and that section was
> left on the cutting room floor.
> But the process lifted me out of one of my 'sloughs of writing
> despond' and got me goi
h you the report I returned to the
National Theatre Studio who generously gave 30+ of us the space to work on
this new project in OS.
I'd be very interested in hearing from anyone else who has used OS for
writing or where it's been used for making/devising theatre work.
best wishes,
Stella Du
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