yes
I can't think of any time when edit mode doesn't call for immediate
mouse use. Personally my fingers are so clumsy, ctrl-e and ctrl-w are
often too close for comfort.
Hans-Christoph Steiner wrote:
> Hey all,
>
> I just quickly banged out a little hack to make Cmd-Click toggle
> editmode o
Hey I think this was noted as a problem; namely the deb wants libs
flac7 and quicktime0. Gutsy doesn't have them (it has lqt1 and lf8)
and it annoys aptitude to use "dpkg -i --ignore-dependency=$NOGOOD"
to fix apt from complaining I went into /var/lib/dkpg/status and
found the pd-extended entry
Any ideas on how to directly modify bits in audio files? I've tried
using a combination of soundfiler with -raw and the bit stuff in expr
but no dice. basically i'm trying to get at the least significant bit
for the purposes of a watermark/ steganography prototyper.
_
here's a game-like app with pd for audio.
http://fijuu.com
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I'm not sure if that's the right term for what I'm trying to do.
But what I'm looking for is a way to rewrite a sample very quickly, so
say have some sample you are working with.
Now, you want to work with a different sample, say after a very small
fade-out fade-in (<100ms) or "instantly" in perfor
Some frames of this video show puredata in action. Very cool project.
Would any German-speaking folk like to say more about this (in English
:) )? Also, does anyone recognize the software that looks like it is
being used to analyze the speaker's voice?
http://wstreaming.zdf.de/3sat/veryhigh/09100
oritz, and Roman
greg
On 6/13/07, Enrique Erne <[EMAIL PROTECTED]> wrote:
> hi Kyle
>
> On Jun 13, 2007, at 9:30 AM, Kyle Klipowicz wrote:
>
> > anarchic democracy that exists in the netpd performance
> > world.
>
> hehe, nice expression.
>
> > As a side
for editing or other post production but can
hand over the tapes or work on it when my schedule opens up. I would
want someone with more knowledge of the Pd world to help determine who
and what to shoot and help with interviewing but I am happy to help
out.
greg
On 8/16/07, marius schebella <[EM
send suggestions for subjects/topics and help
me make arrangements to connect with the appropriate folks if you can.
greg
On 8/17/07, Hans-Christoph Steiner <[EMAIL PROTECTED]> wrote:
>
> That sounds awesome! I think a little documentary video would be
> quite nice to have.
>
&
ments.
Greg
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structure your teaching.
Greg
On 9/16/07, Ed Kelly <[EMAIL PROTECTED]> wrote:
> Hi Greg,
>
> That's really interesting. I think from a teaching point of view the whole
> reflective journal approach is a good idea, and a web/wiki approach seems to
> be the most log
I dont know how you have set this to work on your machine but I have
set my gallery installs on mac os x 10.4 systems to autostart by doing
the following:
1. setting the "open at login" option for PD from the dock
2. setting the start up path in "start up flags" box within
preferences>startup men
or you can bring your own laptop and we can
help you install PD.
Lecture:
Monday, October 15 at 7:30 in Gailor Auditorium.
All events are free and open to the public
For more information contact:
Greg Pond
[EMAIL PROTECTED]
931.598.1870
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d, and I'm anxious for any suggestions or
comments!
Here's the link <http://ccrma.stanford.edu/%7Ecburns/NRCI/>.
Thanks!
-Greg Surges
--
http://www.uwm.edu/~gssurges/ <http://www.uwm.edu/%7Egssurges/>
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?
-Greg
On Tue, Mar 11, 2008 at 12:19 PM, marius schebella <
[EMAIL PROTECTED]> wrote:
> hi greg,
> that looks very promising, but can you give an example of how to use it,
> the page you posted says "NRCI documentation: [link to be added]"...
> thnks,
> marius.
>
e creation of OSC messages.
3. Finally, a set of band-limited oscillators, to allow for spectrally rich
waveforms without aliasing.
Any thoughts?
Thanks everyone,
Greg
--
http://www.uwm.edu/~gssurges/ <http://www.uwm.edu/%7Egssurges/%20>
__
tic or not worked at all. That really seems like
something that should be fixed.
Thanks guys,
-Greg
--
http://www.uwm.edu/~gssurges/
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re's something in the OSC protocol
which allows this, but I haven't seen a PD implementation.
Maybe that could be a Summer of Code project?
-Greg
On Mon, Mar 17, 2008 at 1:50 PM, Hans-Christoph Steiner <[EMAIL PROTECTED]>
wrote:
>
> Looks interesting. Have you done anythin
espond off list. Thanks
Greg
[EMAIL PROTECTED]
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there a
work-around to get the " " back?
Thanks,
- Greg
--
http://www.uwm.edu/~gssurges/
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Thanks,
I assumed the change was for good reason. Just wanted to make sure I wasn't
going crazy!
I've got an external that bypasses the problem entirely, so my code is
working again.
Again, thanks for the hard work on pd-extended-40.3, best release I've seen!
- Greg
On Mon, Au
#x27;s useful to someone else,
- Greg
--
>
> Message: 2
> Date: Wed, 13 Aug 2008 15:37:13 +0200
> From: Jack <[EMAIL PROTECTED]>
> Subject: Re: [PD] Keyname Object Changed?
> To: "Mike McGonagle" <[EMAIL PROTECTED]>
> Cc: PD-
dinates. I also need
the ability for the system to allow recursive patching. I'd really
appreciate it if anyone has any insight into this problem and could
possibly shine some light towards a solution.
Thanks!
-Greg
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board,
express their beauty abstractly, like a poem... I have come to the
personal conclusion that while all artists are not chess players, all
chess players are artists."
Here is Duchamp's competition record:
http://www.chessgames.com/perl/chessplayer?pid=36967
good topic- more to discuss..
ol of Art in Zurich and screening videos in Basel. If anyone can
point me to fellow Pd'ers or noteworthy projects in these places
please contact me off-list. I would like to see what is happening out
there.
thanks,
Greg
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,
Greg
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et it.
thanks
Greg
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Sorry about the last message, Gmail screwed up and send it while I was
typing
as I was saying, whenever I hit "DIO" it outputs the following:
--
audio I/O error history:
seconds agoerror type
21.98 unknown
21.98
Hello-
I've used Pd-extended successfully on this computer before, but recently
whenever I start the program and begin processing, it returns this:
audio I/O error history:
seconds ago
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Ha- I just assumed that it wouldn't work, but it works fine- I just
overreacted.
Thanks for your help!
-Greg
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out there?
greg
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-- Forwarded message --
From: "Greg Pond"
Date: Aug 23, 2010 10:22 AM
Subject: Re: [PD] [ot] sueing the mailing list...
To: "András Murányi"
If you honor this request, do you create precedent to remove anyone's
message
whenever they ask? If there
Have fun there- say hello to Golan.
Greg
On Sat, Mar 7, 2009 at 11:18 AM, Hans-Christoph Steiner wrote:
>
> This is quite last minute, so I am just emailed out about it now. At
> the Art And Code conference at CMU in Pittsburgh, PA, I'll be giving a
> talk about Pd on
as a starting point so students got some sense of
continuity and learned a method by which they could continue to work
after the class - it gave them a small toolbox to work with later.
Golan Levin and Casey Reas each do the something similar to introduce
Processing.
Greg
On Fri, Apr 17, 2009 at 10
Phillip Andrew Lewis and I are offering one day intensive courses for
beginners the AVA in Chattanooga, Tennessee. The course will focus on
introducing data structures and sound synthesis techniques. We will
also show examples of various ways Pure Data is used, methods for
working and troubleshoot
me in the future
sorry it took so long to get this much of it done. feedback is
welcome- I am currently away from home with limited e-mail this week.
greg
http://www.sewanee.edu/pd
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I am away from my office but will see if I can get someone to compress
the videos. I will have to do teh ogg myself but I canb probably get
someone to make lower resolution quicktimes.
On 7/20/09, Lorenzo wrote:
> For instance you could do a very straightforward:
>
> ffmpeg2theora *.mov
>
> for p
audio and other issues starting Friday.
best
Greg
On 7/22/09, Frank Barknecht wrote:
> Hallo,
> Frank Barknecht hat gesagt: // Frank Barknecht wrote:
>
>> thanks a lot for your effort, it's highly appreciated - also maybe I'd
>> still
>> like Ogg Th
Hi,
Is anyone having any luck (good or bad) running pd-extended on os x 10.6
snow leopard?
Thanks,
- Greg
--
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don't know if any of you have read Ostertag's " Why Computer Music
Sucks" but here is the link
http://bobostertag.com/writings-articles-computer-music-sucks.htm
(this link does not necessarily represent the views or opinions of the sender)
best,
Greg
On Mon, Aug 31, 2009
There is currently a PD installation in our university's gallery in
Sewanee Tennessee ( hometown of Miller Puckette)
http://art.sewanee.edu/art/2009/10/21/nowcasting-reception-and-talk/
the press release is below.
Greg
Sewanee’s University Art Gallery presents Nowcasting, an install
schematics that they use I would
be grateful for suggestions.
thanks
Greg
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http://www.alabamachanin.com/ and Pam Dorr
http://www.shakerag.org/lectures/2010/dorr/. Previous digital media
instructors include Golan Levin, Casey, Reas, Greg Neimeyer, and
Nikolai Cornell. In Summer 2011 sound artist Stephen Vitiello
http://stephenvitiello.com/ and Arduino Lillypad creator Leah
I agree with you that 25 is extremely hardware ineffective. I have
created an aggregate device in OS X before but only with two of the
same type of external device but this also seems the best option for a
single cpu.
thanks for the input
Greg
On Sun, Oct 25, 2009 at 2:50 AM, jurgen wrote
Good question here- this work is about creating excessive chatter and
doesnt rely on a fixed phase and sync'ed clocks so the inexpensive
options you mentioned would be welcome. I should have mentioned this
part in my first post.
thanks
Greg
On Sun, Oct 25, 2009 at 3:09 AM, Justin Glenn
On Wed, Jan 20, 2010 at 11:10 PM, Hans-Christoph Steiner wrote:
>
> partconv~ should be included in Pd-extended.
>
> .hc
>
> On Jan 20, 2010, at 3:06 AM, Solen Music wrote:
>
>> Hi,
>>
>> A quick search has led me to believe that partconv~ is a good way to
>> explore impulse response reverbs in pu
be sure that you have the right ftdi drivers installed
http://www.ftdichip.com/Drivers/VCP.htm
-greg
On Sat, Apr 24, 2010 at 12:23 PM, Camilo Cadavid Corredor <
cccada...@hotmail.com> wrote:
> Hello,
> I just got started working with arduino. Reading about the conection
>
if you need to measure the time between two events, I think [timer] is what
you need. the attached patch might work for you- move the slider all the
way to the end to trigger and gauge the speed of the movement. slide it back
to zero to reset.
greg
On Wed, May 5, 2010 at 4:59 AM, Andrew Faraday
All that has been said is true but I have used this combination of osculator
and pd, messages sent via OSC and midi using a number of gui objects and
inputs from other devices simultaneously with no major latency problems. Am
away from internet connection I can use to forward patches but can do so
Sofia
Perhaps [autoscale] or [limit] will achieve what you want.
Greg
On Mon, Oct 28, 2013 at 11:39 AM, Sofia Paraskeva
wrote:
> Dear list,
>
> I have a patch that receives data from wireless sensor (FSR) via xbee USB
> serial port.
> I want to convert the raw data to MIDI a
I have made this work many times. Make sure you have all the libraries
loaded. Can you share your patch and sketch?
On Sat, Nov 30, 2013 at 10:58 PM, Giuseppe Peppino
wrote:
> Hi all, I'm following this example (receiving a simple message)
>
> https://flossmanuals.net/pure-data/ch065_osc/
>
> wit
This sounds cool. Any shot of some video?
Greg
On Thu, May 19, 2011 at 1:48 AM, Jason Plumb wrote:
> DorkbotPDX is proud to announce a unique *free* workshop geared at teaching
> sound synthesis fundamentals as explored and demonstrated through Pure Data
> (PD).
>
> Sunday, May
I dare someone to show me something more entertaining than that built around
pure data and pduino.
Greg
On Tue, Jun 21, 2011 at 8:47 AM, Ingo wrote:
> Onyx,
>
> I really appreciate you chiming in here! I just happened to read your blog
> after I wrote what I've described to
e
Gem directory that Cyrille mentioned despite checking several machines with
current versions installed. This is probably as stupid problem on my part
but can anyone tell me where I can find it or send me the example patch?
Thanks
Greg
On Wed, Jul 6, 2011 at 1:21 AM, cyrille henry wrote:
&g
I will check the specs on my machines and get back to you soon. We have
several surplus g4 and g5 towers here. IOhannes has a lot more knowledge
and experience than I do so if he wants to do it then I am happy to turn it
over to him- whatever is the best to keep the builds going.
Greg
On Mon
I have the machine running the builds for mac ppc in my office. Hans has
been running it remotely from NY. If I should keep it here, I can pass the
access information to whomever can take over the builds.
Greg
On Thu, Aug 16, 2012 at 8:06 AM, András Murányi wrote:
> Bad news and such a s
ir research is a quick google away...
Emilios Cambouropoulos
Roger Dannenberg
Pierre-Yves Rolland
David Temperley
HTH,
Greg
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Matt Barber wrote:
Date: Sat, 12 Jul 2008 13:56:54 +0200
From: Damian Stewart <[EMAIL PROTECTED]>
Subject: [PD] how to avoid (most/many/some) readsf~ dropouts
To: PD-List
Message-ID: <[EMAIL PROTECTED]>
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
hey,
one thing i've noticed wit
Damian Stewart wrote:
> Dr. Greg Wilder wrote:
>
>> I've attached the latest version of my "basic" playback (w/fade) patch
>> for suggestions/comments... Unfortunately, your ascii patch didn't
>> line up, would you mind posting an example patch that
Damian Stewart wrote:
Dr. Greg Wilder wrote:
I've attached the latest version of my "basic" playback (w/fade) patch
for suggestions/comments... Unfortunately, your ascii patch didn't
line up, would you mind posting an example patch that shows your method?
first thing
Andy Farnell wrote:
>
> Greg, you may like to experiment with tweaking the disk caches.
> For linux see here:
>
> http://www.linuxdevcenter.com/pub/a/linux/2000/06/29/hdparm.html
>
Thanks for the idea, Andy. It seems my stock Studio64 RT kernel is
treating my SATA as a
Matt Barber wrote:
> Hey Greg,
>
> I wonder what would happen
> if you split your 8-channel files and played them simultaneously as
> 4-channel soundfiles...
Yeah, this is how the piece was originally created -- the idea being, if
all "mixing" happened in real ti
Matt Barber wrote:
>> Of course, the 8-channel environment is useful for its ambisonic and other
>> spatialization potential, and one solution that works well (for certain
>> musical situations) is to spatialize monophonic soundfiles in real time.
>> This is a great solution for reducing performan
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