On Fri, 4 Feb 2005 21:47:05 +1300, David Mann wrote:
> I wonder if you could patent getting drunk as a process for
> improving photographic vision...
If Amazon.com can patent "one click shopping" then surely you ought to
be able to patent getting drunk as a process, much less one for
improving ph
On 4 Feb 2005 at 7:17, Boris Liberman wrote:
> http://webaperture.com/gallery/photos/42431
>
> No comments. Only notice that this was shot at 1600 ISO. I must say
> that 100% magnification of original image looks rather disappointing.
> I should print it and see how it prints.
Hi Boris,
The ima
> >
> >
> >
> >
> I'm currently taking a second semester of B&W photography at the local
> community college. They are currently filling about six classes a
> semester for Photo I, and my instructor says my Photo II class is the
> biggest he's taught (he
On 4 Feb 2005 at 23:16, David Mann wrote:
> As an experiment you can try opening a file that was captured as Adobe
> RGB, then set up Photoshop to soft-proof with the sRGB profile as the
> output device. Then turn on the gamut warning feature. That will tell
> you whether or not your Adobe fi
On 4 Feb 2005 at 22:49, David Mann wrote:
> If using Photoshop you can set it up to ask you what to do if the
> tagged colour space does not match your default working space when
> loading a file. You can either use the tagged space, convert to the
> working space, or choose not to colour mana
Dave,
This is very interesting stuff. Like Mike, I would rather you didn't
limit your explanations for fear of saying too much. We can take it!
I've always used Adobe up 'til now, but will switch to SRGB. 99% of my
pictures never go near a print; they are only ever seen on a screen.
Thanks
David,
If I remember correctly, I think you're working on a Mac. Is there any
drawback to printing with the ColorSynch workflow? I've been getting
excellent results that way. I use the Apple Cinema Display and print to
an Epson 2200 with PS CS on a G4 with 10.3.7. I select "colorsynch
workflow"
Sorry, Why do you take the logo? I didn't understand your explanation.
Michael
-Ursprüngliche Nachricht-
Von: Cotty [mailto:[EMAIL PROTECTED]
Gesendet: Freitag, 4. Februar 2005 01:33
An: pentax list
Betreff: Re: PESO: Pentax girl
On 3/2/05, Juan Buhler, discombobulated, unleashed:
>So
Nice pictures!
Michael
-Ursprüngliche Nachricht-
Von: Rolling Red [mailto:[EMAIL PROTECTED]
Gesendet: Donnerstag, 3. Februar 2005 19:32
An: pentax-discuss@pdml.net
Betreff: Re: PESO: Pentax girl
Thanks for the intro, Juan :)
I'd like to post a few pics I took while holding that brand
>
> From: "Doug Franklin" <[EMAIL PROTECTED]>
> Date: 2005/02/03 Thu PM 11:15:58 GMT
> To: "pentax-discuss@pdml.net"
> Subject: Re: RE: PESO - Another Concert Shot
>
> On Thu, 3 Feb 2005 12:56:18 -0500, John Francis wrote:
>
> > On Thu, Feb 03, 2005 at 10:23:05AM +, [EMAIL PROTECTED] wrot
>
> From: Cotty <[EMAIL PROTECTED]>
> Date: 2005/02/03 Thu PM 11:15:49 GMT
> To: "pentax list"
> Subject: OT - For 20 Quid...
>
> ... I got the Fujica ST605n with Fujinon 55mm f/2.2 today, and as a
> surprise bonus, the seller included a Fujinon 35mm f/2.8 !
>
> It's all immaculate and beauti
>
> From: [EMAIL PROTECTED]
> Date: 2005/02/04 Fri AM 06:24:42 GMT
> To: pentax-discuss@pdml.net
> Subject: PESO: Still Standing
>
> Went out to farm country today. Done it before, took picture of barn one time
> while there. Taken pictures of trees, hills, farmhouse, horses, etc. Today I
> we
OK, I have an *IstD as well ...
Regards, JvW
On Wed, 2 Feb 2005 23:38:44 -, Nick Clark wrote:
>Oh alright then, I've got a D.
>
>Nick.
>
>-Original Message-
>From: "Jens Bladt"<[EMAIL PROTECTED]>
>Sent: 02/02/05 20:05:11
>To: "pentax-discuss@pdml.net"
>Subject: RE: S
On Feb 4, 2005, at 1:31 PM, Rob Studdert wrote:
Neither sRGB or Adobe RGB are really good matches for ink print
processes
however true colour photographic processes are pretty close in gamut
to sRGB.
To expand on this point a bit, ink processes are CMYK (a subtractive
process) while you might ha
>
> From: David Mann <[EMAIL PROTECTED]>
> I've already written too much.
Does that mean you have to kill all of us? If there's a choice of methodology,
I'd like to try "a surfeit of Lampreys", please.
mike
-
Email provided by http://www.ntlhome.com/
On Feb 4, 2005, at 2:18 AM, Rob Studdert wrote:
You don't have to however if the image is mapped to Adobe RGB colour
space and
you open it as if it were sRGB mapping the colours will be slightly
desaturated
and slightly the wrong hues and the image will lack contrast.
If using Photoshop you can s
On Feb 4, 2005, at 11:50 AM, Tom C wrote:
Appearances are deceiving, if he had fallen, there was a nice ledge
four or five feet under, that would have caught him.
I hate to go OT but a guy was rescued off NZ's tallest mountain the
other day. He slipped while climbing near the summit and fell abo
On Feb 4, 2005, at 1:41 PM, Herb Chong wrote:
so far as i am concerned, there are a handful of useful editing
programs that do color management right for a photographer: Photoshop,
Photoshop Elements, PhotoPaint, and Picture Window Pro. the programs
included with cameras generally do it right bu
On Feb 4, 2005, at 1:12 AM, Mark Roberts wrote:
PS: Fisheye contact lenses. Now ~there's~ an idea...
I'm gonna patent it!
It'd be cheaper and easier to just get drunk. That'd also solve the
problem of getting out-of-focus fisheye images.
Stereoscopic, too.
I wonder if you could patent gettin
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