I have a 100mm SMC F 1:2.8 Macro for sale. I bought it from a member of the
list in 2001. In fact, I found the original message from Stan Halpin
offering it:
http://www.mail-archive.com/pentax-discuss@pdml.net/msg20022.html
The lens is still in very good condition, it is the best lens I ever had
Todd Stanley [mailto:[EMAIL PROTECTED]] wrote:
Very nice. I'm curious as to what the pictures in the middle
are, where it shows a bad picture on the left, better one
on the right. Before and after Photoshop? Pentax vs. Nikon D1?
Pentax vs. BarbieCam?
If you mean the ones of the
I believe the main purpose of a digital slr at this state is to signalize
that the
K-mount will be taken over into the digital age and that customers can
continue
buying K-mount cameras and lenses knowing that their system will be
compatible with up-to-date digital cameras.
I just recently
2) Spot meter. Read the light of the musicians skin and work from
that. Don't rely too much on an average reading since the scene is
likely to be contrasty, as I said. If you expose for an average
reading, the musicians under the lights will be overexposed.
2a) Does this apply to portraits
I have a Pentax FA 28-80 f/3.5-5.6 and a Pentax F 100 f/2.8 macro. 1 lens +
1 lens = 2 lenses. I'm having lots of fun with the macro, for tiny things
and as a portrait lens.
I hope to add at least a longer zoom soon!
Hernan.
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This message is from the Pentax-Discuss Mail List. To
Pentax made a 2 piece Infrared Remote Release - transmitter and reciever
that mounted on the camera's hot shoe. This cord connects the reciever to
the shutter. It has a 3 pin connector for the SF-1's remote release socket
and will fire the shutter. This works on the PZ-1's socket too.
I think the best evidence is how many people run file attachments in email
without knowing what they are or what they do.
Or they send emails intended to be personal to a mailing-list. Like I just
did
sending a message in Spanish intended only for Albano.
My apologies to the list.
Hernan.
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