Norm wonders ...
How do I keep the monitor from fogging my film?
... perhaps a ball peen hammer ??? !8^D
Bill
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Bill D. Casselberry ; Photography on the Oregon Coast
Thought I'd share a resource for digital darkroom questions that I've used for
the last few weeks and have found to be very helpful with just about any
digital photo question from cameras to printer media. It's an email list that
is put out almost daily in response to email questions submitted
Paul S. wrote:
I enjoy darkroom work, but I've also become a
huge fan of the digital darkroom. I don't start with digital exposures.
I start with hi-res (60 Meg) scans of color transparencies. But I love
working on them in PhotoShop and printing them on my Epson 1200 inkjet.
The results
Kevin Butler wrote:
Apart from changing the colour balance of picture before I
print it to look yellow/green, are there other settings I should be
looking at to make for more accurate colour matching? (BTW, the monitor
is set to a colour temperature of 6700K.)
Have you run Adobe Gamma or
Mike wrote,
I'm _convinced_ that what you describe is the best home 'darkroom' for color...
I've never tried Ilford Fine ArtWhere do you get yours?
Hi Mike,
I'm very happy with the digital color darkroom. Others seem to be as
well. I attended a gallery show tonight for amateur photographers.
can understand that. I enjoy darkroom work, but I've also become a
huge fan of the digital darkroom. I don't start with digital exposures.
I start with hi-res (60 Meg) scans of color transparencies. But I love
working on them in PhotoShop and printing them on my Epson 1200 inkjet.
The results
Peter Alling inquires about the incompatibility between negative scanning and
salami sandwiches...
Interesting... How did you make this discovery?
Sandwich in one hand, negative holder in the other.
Negative holder falls, try to grab it with the hand holding the sandwich.
Shel is right, Dijon
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