On 7/12/2012 8:49 AM, Matthew Hunt wrote:
On Thu, Jul 12, 2012 at 8:47 AM, Mark Roberts
postmas...@robertstech.com wrote:
If the color space for RAW is determined by the sensor associated
hardware/software,
what does setting the color space on the camera do?
It probably affects the
On Jul 13, 2012, at 4:12 AM, George Sinos wrote:
There's a lot of over-thinking going on in this thread. Most of it is
technically correct and practically insignificant.
Mark!
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Those people would never be my clients. I'd rather pound sod. ;-)
On Thu, Jul 12, 2012 at 12:09 PM, Bob W p...@web-options.com wrote:
I'm reading a very interesting book at the moment about the commercial
practice of early Renaissance painting. You should think yourselves lucky
your clients
From: Postmaster
Larry Colen wrote:
For an event that I'm shooting, it was just specified we shoot in raw and,
adobe RGB.
My understanding was that sRGB and adobe RGB only came into play in converting
to JPEG, that RAW was just the raw data off the sensor.
Am I more confused than usual?
It probably affects the in-camera translation to jpeg.
stan
On Jul 12, 2012, at 8:25 AM, John Sessoms wrote:
From: Postmaster
Larry Colen wrote:
For an event that I'm shooting, it was just specified we shoot in raw and,
adobe RGB.
My understanding was that sRGB and adobe RGB only
Stan Halpin wrote:
On Jul 12, 2012, at 8:25 AM, John Sessoms wrote:
From: Postmaster
Larry Colen wrote:
For an event that I'm shooting, it was just specified we shoot in raw and,
adobe RGB.
My understanding was that sRGB and adobe RGB only came into play in
converting to
JPEG, that
On Thu, Jul 12, 2012 at 8:47 AM, Mark Roberts
postmas...@robertstech.com wrote:
If the color space for RAW is determined by the sensor associated
hardware/software,
what does setting the color space on the camera do?
It probably affects the in-camera translation to jpeg.
That is correct.
If the color space for RAW is determined by the sensor associated
hardware/software,
what does setting the color space on the camera do?
It probably affects the in-camera translation to jpeg.
That is correct.
Indeed.
However... theoretically, there have been sporadic reports that the
From: Peter Loveday
If the color space for RAW is determined by the sensor associated
hardware/software,
what does setting the color space on the camera do?
It probably affects the in-camera translation to jpeg.
That is correct.
Indeed.
However... theoretically, there have been
On Thu, Jul 12, 2012 at 10:07 AM, John Sessoms jsessoms...@nc.rr.com wrote:
AWB changes the WB every time you move the camera. Every frame requires a
different correction.
I just set it on daylight so it's consistently wrong by the same amount for
every frame. That way I can batch process
Colorspace is a parameter used in the chroma interpolation phase of
the raw conversion process, on the way to an RGB channel file of
whatever format.
What they're telling you is that they want the deliverables produced
with Adobe RGB profile. Most people are confused about the camera
settings
Godfrey DiGiorgi wrote:
On Wed, Jul 11, 2012 at 11:33 AM, Larry Colen l...@red4est.com wrote:
For an event that I'm shooting, it was just specified we shoot in raw and,
adobe RGB.
My understanding was that sRGB and adobe RGB only came into play in
converting to JPEG, that RAW was just the
On Jul 12, 2012, at 7:31 AM, Godfrey DiGiorgi wrote:
Colorspace is a parameter used in the chroma interpolation phase of
the raw conversion process, on the way to an RGB channel file of
whatever format.
Are you saying it does, or does not, affect the data in the raw file?
What they're
Larry -
For your purposes, it will not effect the raw data in the image. It
will effect the embedded jpg preview image that you see on the camera
LCD screen. So any histogram you see on the back of the camera will
also be effected because it is generated from the embedded jpeg. For
all
That's why I spend time to get clients to agree on what the
*deliverables* will be, rather than how I achieve producing those
deliverables. No client tells me how to set my camera, if they insist,
I refuse the contract.
On Thu, Jul 12, 2012 at 8:21 AM, Mark Roberts
postmas...@robertstech.com
On Thu, Jul 12, 2012 at 8:48 AM, Larry Colen l...@red4est.com wrote:
Are you saying it does, or does not, affect the data in the raw file?
Raw files contains sensor data, metadata describing camera settings
and image attributes, and optionally a JPEG preview. Colorspace
profile settings affect
I'm reading a very interesting book at the moment about the commercial
practice of early Renaissance painting. You should think yourselves lucky
your clients don't specify that you grind the colours yourself and use
ultramarine at 2 florins the ounce on the Virgin's cloak, and ultramarine at
one
For an event that I'm shooting, it was just specified we shoot in raw and,
adobe RGB.
My understanding was that sRGB and adobe RGB only came into play in converting
to JPEG, that RAW was just the raw data off the sensor.
Am I more confused than usual?
--
Larry Colen l...@red4est.com sent from
Hi Larry. There's no color space in a raw file. You select the color
space when you turn it into a jpeg.
That's another reason to shoot raw files. You can make sRGB for the
web and consumer prints, adobeRGB for better ink jet printers, and
ProPhoto RGB for imaginary devices that may exist in
You can make sRGB for the
web and consumer prints, adobeRGB for better ink jet printers, and
ProPhoto RGB for imaginary devices that may exist in the future.
That was awesome, George. Gotta be in the quotes section of next year's Annual.
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Larry Colen wrote:
For an event that I'm shooting, it was just specified we shoot in raw and,
adobe RGB.
My understanding was that sRGB and adobe RGB only came into play in converting
to JPEG, that RAW was just the raw data off the sensor.
Am I more confused than usual?
Nope. You're quite
The only difference in size makes whether you chose DNG or PEF. PEF
seemed to be slightly smaller than DNG but its not a rule...
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