the
planes of focus were being concurrently resolved by the lens in parallel.
regards,
Anthony Farr
- Original Message -
From: Digital Image Studio [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Saturday, January 27, 2007 11:07 AM
Subject: Re: Extreme depth of field
On Jan 26, 2007, at 7:32 PM, Barry Rice wrote:
Indeed! That's it!
But I guess I won't be doing it anytime soon, myself! Alas.
The effect, by the way, is really extraordinary and far beyond what
you'd
expect from just using a stopped down ultra-short focus lens. Really
remarkable.
You
On 1/27/07, Bob Shell [EMAIL PROTECTED] wrote:
On Jan 26, 2007, at 7:32 PM, Barry Rice wrote:
Indeed! That's it!
But I guess I won't be doing it anytime soon, myself! Alas.
The effect, by the way, is really extraordinary and far beyond what
you'd
expect from just using a stopped
Hey Folks,
A general photography question
I'm a big fan of David Attenborough documentaries. Starting with his series,
The Private Life of Plants, occasionally his film team uses a spectacular
technique which I simply do not understand how they achieve. It is like an
extreme hyperfocal
A close focusing wide angle lens? If he's shooting 35mm movie film a
wide lens is something like an 8 to 12 mm. You get one heck of a lot
of DOF with a lens like that.
Paul
On Jan 26, 2007, at 6:46 PM, Barry Rice wrote:
Hey Folks,
A general photography question
I'm a big fan of David
- Original Message -
From: Barry Rice Subject: Extreme depth of field technique
Hey Folks,
A general photography question
I'm a big fan of David Attenborough documentaries. Starting with his
series,
The Private Life of Plants, occasionally his film team uses a spectacular
On 27/01/07, Barry Rice [EMAIL PROTECTED] wrote:
I'm fairly confident that this is not a bit of greenscreen magic. But I'm
trying to figure out the method. It probably would cost gadzillions, but
wowif I could achieve that kind of perspective..
AFAIK they use a Panavision/Frazier Lens
Digital Image Studio wrote:
On 27/01/07, Barry Rice [EMAIL PROTECTED] wrote:
I'm fairly confident that this is not a bit of greenscreen magic. But I'm
trying to figure out the method. It probably would cost gadzillions, but
wowif I could achieve that kind of perspective..
Hey Rob,
Indeed! That's it!
But I guess I won't be doing it anytime soon, myself! Alas.
The effect, by the way, is really extraordinary and far beyond what you'd
expect from just using a stopped down ultra-short focus lens. Really
remarkable.
B
Barry A. Rice, Ph.D.
Invasive Species
I've seen what appear as sharply focus water drops on such lenses with
an in-focus background. Amazing!
Jack
--- Paul Stenquist [EMAIL PROTECTED] wrote:
A close focusing wide angle lens? If he's shooting 35mm movie film a
wide lens is something like an 8 to 12 mm. You get one heck of a lot
I don't know either. A DOF tool is a shift lens, and is simply
something that came to mind while reading your post.
I'll be following the thread myself.
Jack
--- Barry Rice [EMAIL PROTECTED] wrote:
Hey Folks,
A general photography question
I'm a big fan of David Attenborough
On 1/27/07, Peter McIntosh [EMAIL PROTECTED] wrote:
Digital Image Studio wrote:
On 27/01/07, Barry Rice [EMAIL PROTECTED] wrote:
I'm fairly confident that this is not a bit of greenscreen magic. But I'm
trying to figure out the method. It probably would cost gadzillions, but
wowif
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