- Original Message -
From: Paul
Subject: Re: First 6x7 lessons learned
Pentax 6x7 f22 @ 1/30th. Hand held of course.
http://www.photo.net/photodb/photo?photo_id=1069827
Nice panning technique.
Yer very good.
William Robb
- Original Message -
Subject: Re:[2] First 6x7 lessons learned
I tried photographing a moving steam locomotive once. The slow
shutter
time caused the wheels to look out of round.
It takes the 6x7 shutter 1/30 of a second to transverse the entire
frame, so fast action shots
- Original Message -Penned by WW
Subject: Re:[2] First 6x7 lessons learned
Paul seems to have a good workaround (panning), and I don't really know
if the slow shutter speed will be an issue with what you are doing.
It doesn't matter what
Yes, I was panning. I was shooting this car for an enthusiast magazine,
so I didn't mind burning some film. The profile pan is one of the
standard shots that I do on almost every car shoot. In this case, the
car was moving at about 30 mph. I had the driver go back and forth
following the same path
Thank you. I think a heavy camera and lens are actually an advantage
when panning. The momentum of the mass contributes to the smoothness of
the swing.
Paul
William Robb wrote:
- Original Message -
From: Paul
Subject: Re: First 6x7 lessons learned
Pentax 6x7 f22 @ 1/30th. Hand
Subject: Re: First 6x7 lessons learned
Pentax 6x7 f22 @ 1/30th. Hand held of course.
http://www.photo.net/photodb/photo?photo_id=1069827
2 comments if you want them:
Is that Velvia?
Background!
Peter
Ps imagine same with rear-curtain fill - put a smile on my face
Hi Peter,
It was Ektachrome 100VS. As far as the background is concerned, I guess
I ought to take a few minutes and fill in the tree line in PhotoShop.
Fill would be nice. Perhaps next time.
Paul
[EMAIL PROTECTED] wrote:
Subject: Re: First 6x7 lessons learned
Pentax 6x7 f22 @ 1/30th
This looks like a textbook pan. Were you panning?
Steven Desjardins
Department of Chemistry
Washington and Lee University
Lexington, VA 24450
(540) 458-8873
FAX: (540) 458-8878
[EMAIL PROTECTED]
I tried photographing a moving steam locomotive once. The slow shutter
time caused the wheels to look out of round.
It takes the 6x7 shutter 1/30 of a second to transverse the entire
frame, so fast action shots are going to be difficult.
If you are
Hi All.
Lesson 1:
Look at Ebay prior to ordering straps from local store.
Lesson 2:
Make Damn sure the release lugs on the camera bottom are
in the proper locked position and spools snug.(don't ask why i know now.lol)
Chromes look nicer
Dave,
Good lesson to learn. I learned my safely in my lap.
The trick to Portra NC is that it is supposed to be somewhat subdued
to hold the contrast across black and white. Some people prefer it a
bit more contrasty so will overexpose it as you have. Most people I
have heard shoot it at 320
If you shoot Porta NC at 320, is it much more expensive to process?
Also, can anyone suggest a good through the mail processing lab for
120?
Steven Desjardins
Department of Chemistry
Washington and Lee University
Lexington, VA 24450
(540) 458-8873
FAX: (540) 458-8878
[EMAIL PROTECTED]
Subject: First 6x7 lessons learned
Anyone try action shots with their 6x7 or is the slightly slower
mirror movement
(than a 35mm)to much for a good stop action shot.???Just curious,but
i'd be worried the
'slap'
would freak out a green horse,as i'd have to get pretty close until i
get
LOL.
Understood Steven.
Dave
OK. I think I misunderstood. I thought you were
pushing 160, but
you're overexposing 400. When I saw 320 my head immediately thought
2x160. All the little darlin's are graduating today and tomorrow, and I
must remember
Was that shot with the leaf shutter or the curtain shutter?
If the leaf shutter, it was cheating ;-)
-Mat
Paul Stenquist wrote:
Pentax 6x7 f22 @ 1/30th. Hand held of course.
http://www.photo.net/photodb/photo?photo_id=1069827
Paul
William Robb wrote:
Subject: First 6x7 lessons learned
Anyone
/30th. Hand held of course.
http://www.photo.net/photodb/photo?photo_id=1069827
Paul
William Robb wrote:
Subject: First 6x7 lessons learned
Anyone try action shots with their 6x7 or is the slightly slower
mirror movement
(than a 35mm)to much for a good stop action shot.???Just curious
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