I didn't mean to imply that I use a spotmeter all the time. In fact, I
use it only on those rare occasions when I'm shooting a particularly
difficult scene and I know I have to nail it. But we were talking about
perfecting an exposure in a tricky situation.
Paul
Tom Rittenhouse wrote:
>
> Usuall
Usually, I know how many stops I want to shift the image and
just do that. If I am not sure I bracket. I think I could
pop off three shots faster than you could meter the scene
with your spot meter. But then, I am not a perfectionist.
I've always felt that if the customer is satisfied with the
pho
In many instances, a spotmeter can be the most valuable tool in the box,
since it allows you to place the value of a particular part of the
picture. For example, you can ensure shadow detail if that is critical,
by metering the shadow area and placing it at the level you wish to
achieve. In some c
I frequently use an incident meter and a spotmeter. I use the spotmeter
to determine a value for the part of the scene that is most critical. I
use the incident meter to compare that reading to the ambient light. If
there is a discrepancy, I know which way I want to bracket. Sometimes I
just use t
Well, evey incident meter I have used was also a reflective
meter. Spot meter? Never found a need for one. Usually, get
by fine with an incident meter and some common sense.
--Tom
Shel Belinkoff wrote:
>
> Bob Walkden wrote:
>
> > Every photographer should have an incident light meter.
>
> ..
Bob Walkden wrote:
> Every photographer should have an incident light meter.
... as well as a spotmeter and a reflective light meter, I should
add. There are numerous situations where one or another may be the
better meter for a subject.
--
Shel Belinkoff
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Subject: Possible New Member
There's this guy at work I get along well with. He knows I do photography
and asked me a "metering with snow question". He couldn't remember because
it had been a while... whether to push + or - to compen
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