Without even looking at the picture I can tell you it takes a lot of
flashbulbs to light a mile long train. Just think how long it would
take to change all those bulbs for the next shot.
--Tom
Len Paris wrote:
>
> Wow! What a setup! Now I feel like the lady and her puny
> little P&S flash. :
Len said:
> > Have you ever seen the night photography of O. Winston Link?
> > http://thor.he.net/~matheny/owlink.htm
>
> That was a very scant sample
> but was very, very good, indeed.
> I'd like to see more.
Just do a Google search on O Winston Link and you'll find ...
lots of links!
Somew
Wow! What a setup! Now I feel like the lady and her puny
little P&S flash. :-)
Obviously, even with my Metz, I'm only lighting one little
candle. This guy could do fill flash on the Grand Canyon at
high noon. :-)
Len
---
> Shel Belinkoff wrote:
>
> > Somewhere there's a photo of him with his
> > Have you ever seen the night photography of O. Winston Link?
> > http://thor.he.net/~matheny/owlink.htm
My understanding is that he was determined to chronicle via photography the
last major railroad in the US to rely solely on steam power (Norfolk and
Western). I've read that he used a t
tom wrote:
> Well, the inside shots are orange due to tungsten lighting. A flash will
> cure this, you can learn to live with it, you can shoot during the day
> near a window, or you can use b+w film.
Other alternatives are to use tungsten balanced film or the
proper CC filters.
--
Shel Belink
Shel Belinkoff wrote:
> Somewhere there's a photo of him with his assistant, the
> camera, and more lighting gear than you can imagine. It was
> not unusual for him to use sixty or more lights for a night
> shot.
Here it is! I knew I had it around somewhere:
http://albums.photopoint.com/j/Vie
> Len Penned:
>
> > However, you won't see
> > me pulling up to a grand
> > view of a tremendous canyon
> > in my Chrysler and using a
> > yellow P&S with flash to capture
> > the vista like the lady in the
> > TV commercial. There are limits
> > to fill flash, after all. ;-)
>
>
> Have you eve
Len Penned:
> However, you won't see
> me pulling up to a grand
> view of a tremendous canyon
> in my Chrysler and using a
> yellow P&S with flash to capture
> the vista like the lady in the
> TV commercial. There are limits
> to fill flash, after all. ;-)
Have you ever seen the night ph
> Harry Baughman wrote:
> >
> > your indoor shots were probably
> > shot on out door film .that would
> > account for the orange or reddish
> > look. i am not sure about the out door
> > stuff being blue unless they were
> > shot on in door film.
>
> A bluish cast might be the result of shooting
Harry Baughman wrote:
>
> your indoor shots were probably
> shot on out door film .that would
> account for the orange or reddish
> look. i am not sure about the out door
> stuff being blue unless they were
> shot on in door film.
A bluish cast might be the result of shooting in the shade.
T
[EMAIL PROTECTED] wrote:
>
> I have attempted to send two messages since switching
> over to the new list but none have arrived.
Got it.
>
> In short: My first rolls of film have been developed and
> printed at a lab. My inside shots are orange and my
> outside shots are blue. Can someone con
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