> Message: 10
> From: "Guy Glorieux"
>
> There is something wonderful about teaching (which all the teachers out
> there will recognize). It is that the teacher receives as much from his
> students as he gives them and that something much greater emerges from
> this interaction than the simple e
> From: Catherine Just
>
> Any workshop experiences or advice will be great.
Hi Catherine.
I have also had GREAT experiences with the Maine Photographic Workshops in
Rockport, Maine. There are several alternative processes workshops,
including Platinum-Palladium by Arkady Luvov.
Rosanne
actually they are kind of relaxing... 8o) .they take soo long you
can catch up on your reading ...
andy
-Original Message-
From: pinhole-discussion-admin@p at ???
[mailto:pinhole-discussion-admin@p at ???]On Behalf Of
erick...@hickorytech.net
Sent: Thursday, January 30, 200
You're biting off a very big chunk. Taking on a new method, thirty day time
limit and very large prints. I've tried most of them, and I think that the
easiest and most foolproof is cyanotype. you will need large format contact
negs for any of these anyway. Cyanotype exposure can be maddening in nor
Another option that is similar to Platinum/Palladium but is much less
expensive is Kallitype. There are a number of resources on the web -- just do
a search on kallitype. Dick Stevens book "The definitive guide to kallitype"
is very good also. Photographers Formulary in Montana offers workshops
Hi:
I don't think platinum would be a good choice as a start to alternative
processes - not that its difficult, its just expensive.
You might try salted paper printing, or albumen - maybe even cyanotype
Lots of info on albumen and salted paper here:
The Albumen and salted paper book:
http://albu
Thanks for the help everyone,will have a go and see what happens...
Heidi
-Original Message-
From: Meggan Gould [mailto:m...@etal.uri.edu]
Sent: 29 January 2003 12:23
To: pinhole-discussion@p at ???
Subject: [pinhole-discussion] nikon d100 pinholes
Hello Heidi
To use the nikon d100
- Original Message -
From: "Andy Schmitt"
> Hi Catherine
> I run the program for Peters Valley Photography in NJ. Please take a
look at
> out offerings for the spring/summer.
> http://www.pvcrafts.org/2003%20Workshops/photography03.htm
> We have a lot of sessions in alternative photography
Hi Guy and Sam,
There have been, and may still are so called unmasked films.
The orange mask in a color film compensates for the unwanted sensitivity
for blue light (silver halides are yellow to see so they absorb bleu
light)in the green and the red sensitive layers of the color film.
What I did
