ply-To: pinhole-discussion@p at ???
To:
Subject: RE: [pinhole-discussion] 35 mm slides
Date: Sat, 2 Dec 2000 12:04:21 -0500
I suggest using Ektachrome 64 Tungsten, EPY 64. But I photograph artwork
for
artists a lot, both in my job at a museum, and privately, and I use
Ektachrome 100VC and two
: pinhole-discussion@p at ???
Subject: RE: [pinhole-discussion] 35 mm slides
I suggest using Ektachrome 64 Tungsten, EPY 64. But I photograph artwork for
artists a lot, both in my job at a museum, and privately, and I use
Ektachrome 100VC and two White Lightning strobes with umbrellas. Fine gra
I suggest using Ektachrome 64 Tungsten, EPY 64. But I photograph artwork for
artists a lot, both in my job at a museum, and privately, and I use
Ektachrome 100VC and two White Lightning strobes with umbrellas. Fine grain
counts. I agree, they should be as good as you can make them. Crop in as
close
Art show jurying by slides is becoming widespread, so you need to know how
to do this.
Make a good print of your work first. If you have a copystand, that's the
easiest way to shoot it, but basically you want to set up two matching
lights, of proper color temperature, at 45 degree angles to the wo
Normally they want a 35mm COPIES of your work. You can do this using some
Photofloods and Kodak 35mm Ektachrome 160T (Tungsten) film. They should be
as good as you can make them.
If you only need a couple shot & the originals aren't 16x20's (don't fit in
my copy setup) I can do them for you since I
John Saxton was attributed with this quote: A slide will make a good
photograph look bad and a bad photograph look good.
The answer comes from the good photographer who can make the best picture.
The requirement is to make it easy for judges to adjudicate lots of material.
The assignment, the
