Here is my contribution to the topic with a half-dozen years of
Rivendell now under my belt.
The Brett blog entry on scheduling has some useful tips:
https://thebrettblog.wordpress.com/2009/12/31/rivendell-how-to-schedule-music/
One of the suggestions I have found very valuable is to tag all
It is important you have a high grade sound card on any machine you use
for collecting music, be it from CD or dubbing from some earlier format.
Using any 'On Board Sound Card' is dangerous and you can actually hear
the difference.
I have been building a library of music stored on Rivendell
On Friday 28 April 2017 10:22:40 am Lorne Tyndale wrote:
> However it is worth considering that the best
> sounding stations out there are the ones where a producer in a
> production studio has gone through and listened to every track
It's more than worth considering.
If you care **at all**
On Friday 28 April 2017 12:15:25 pm Bill Putney wrote:
> then using the extra
> time to transcode 44.1 source material to 48 when you rip and using the
> extra disk space seems a little silly.
The one time through, I understand,
But, if you're the CPU, then the overhead of the 44.1 math is
I stand corrected. You sir, are indeed correct.
-Alan
On 4/28/2017 11:55 AM, Matthew Chambers wrote:
Don't you mean if modulation drops below 100%, I don't think i saw
modulation outside a 100%-120% window in some markets
Matthew Chambers, CBT, NR0Q
On Apr 28, 2017 11:36 AM, "Alan Smith"
Tongue-in-cheek:
If you want to be competitive, just do what all the PDs, Producers,
Production guys, and almost everyone Ive run across does:
Download the source in crappy mp3 format.
Bring it up in the digital editor and add compression until the
resulting waveform looks like a rectangle
On the other hand... If all your source material is 44.1 already and
you're broadcast medium is constrained to 15 KHz, then using the extra
time to transcode 44.1 source material to 48 when you rip and using the
extra disk space seems a little silly. The audio from the 44.1 source is
never
Hi,
I do agree with what Andy's said. To add a few thoughts:
1. On the 44.1/48 question, the only time I'd use 44.1 in this day and
age is if 44.1 has already previously been set as a standard in a
facility or there is some other compelling reason to use 44.1 (for
example, some sound cards
And be sure to think through your groups before starting. Get that right
from the beginning with expansion room on the cart number ranges and it's
easier going forward. I encourage setting up schedule codes at the
beginning too so you can assign the codes to the carts as you go but these
can be
Hello,
It was a permission issue indeed but I don’t understand how the upgrades have
changed them. chmod fixed it :-)
Thx anyway to everyone
Have a nice day :-)
PVB
On 27 avr. 2017 à 15:30 +0200, Pascal Vanbel - Radio Universitaire Namuroise -
RUN 88.1 , wrote:
> Hello,
>
>
James,
On Fri, Apr 28, 2017 at 12:34 AM, James Greenlee
wrote:
snip
> My assumption is that I would need to rip some CD's to files, import those
> files to carts, and make sure all the meta data is there.
>
Not quite. RDLibrary can rip from the CD right to the cut and
Hi,
As you say, this is a major undertaking, so you need to get this right from the
beginning. You don't want to be making any mistakes.
My tips would have to be.
1) Make sure you start off at the right bit rate. Do you use 44100 or 48000?
Part of this will depend on how you are going to
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