company.
--- On Fri, 9/4/09, Keith Johnson keithbjohn...@comcast.net wrote:
From: Keith Johnson keithbjohn...@comcast.net
Subject: Re: [scifinoir2] DC Screws McDuffie and Buries Milestone
To: scifinoir2@yahoogroups.com
Date: Friday, September 4, 2009, 4:36 AM
I'm too depressed to comment. I
: Re: [scifinoir2] DC Screws McDuffie and Buries Milestone
I'm too depressed to comment. I was with Milestone from the first issues of
Hardware, Static (Don't Start None, and there won't be None!), Blood
Syndicate, then later, My Name is Holocaust
: [scifinoir2] DC Screws McDuffie and Buries Milestone
DC performed the classic big corporation maneuver when
confronted with competition; offer the competitor a lot of money and promises
then squelch them. The problem with most black comic book artists
DC performed the classic big corporation maneuver when confronted with
competition; offer the competitor a lot of money and promises then squelch
them. The problem with most black comic book artists (and comic book artists in
general) is that all they really want to do is work for DC or Marvel.
The only reason DC acquired the Archie/MLJ super-heroes and THUNDER Agents is
so they can't be used elsewhere. They had gotten wind of Dynamite's interest in
both properties.
MarkEllisInk.com
Site of best-selling author Mark (James Axler) Ellis
--- On Thu, 9/3/09, ravenadal
I'm too depressed to comment. I was with Milestone from the first issues of
Hardware, Static (Don't Start None, and there won't be None!), Blood
Syndicate, then later, My Name is Holocaust, Shadow Cabinet, Xombi. Great
stuff, great to see black people in major roles in comics. Hell, great to
