yes, I agree
On 6 August 2011 22:21, simon wrote:
> The empty secret of the conspiracy of the state counterweights and
> correlates with the conspiracy of art. Except for this performance Louise
> talks about. And this humour.
>
> Best,
>
> Simon Taylor
>
> www.squarewhiteworld.com
>
> __
> do not feel guilty, we arrive at a time when young people are unaware
> of analysis which work in real time against their symbolic issues that
> have marked our generation and the immediate next ... and they
> reinterpret the texts in line in the current time. This
> misunderstanding is that the
The empty secret of the conspiracy of the state counterweights and
correlates with the conspiracy of art. Except for this performance
Louise talks about. And this humour.
Best,
Simon Taylor
www.squarewhiteworld.com
__
SPECTRE list for media culture
do not feel guilty, we arrive at a time when young people are unaware
of analysis which work in real time against their symbolic issues that
have marked our generation and the immediate next ... and they
reinterpret the texts in line in the current time. This
misunderstanding is that the authors co
Art and Sub-Atomic Particles Collide at European Organization for Nuclear
Research
"GENEVA (REUTERS).- CERN, focus of research into the Big Bang and what makes
the universe tick, on Thursday announced a new program -- fusing science with
art to encourage painting and music inspired by the wonde
Don't confuse Baudrillard attitude with Jean Clair attitude about the
conspiracy;-)
the conspiracy of art was a pleasant suggestion @ Baudrillard like the
art as object conspiring itself as subject --following his implicit
idea that all the fate of the subject was transfered now in the object
(his
Probably yes. But his last conference @ Whitney Biennal (end of the
eighties) where he dismissed the pending of positive words to renew
the concepts of contemporary arts was exactly that proposition from
which they began to hate him for a long in NY. So it is exactly from
where he wrote "Conspiracy
hi to all,
Am 06.08.2011 um 18:30 schrieb Simon Biggs:
> Jean has hit the nail on the head with that one. I think he could go further
> and propose that the art market abolishes art, at least within the domain
> that is the art world, which now equates to the art market.
hope you dont perceive
Jean has hit the nail on the head with that one. I think he could go further
and propose that the art market abolishes art, at least within the domain that
is the art world, which now equates to the art market.
best
Simon
On 6 Aug 2011, at 16:40, Julian Oliver wrote:
> "Behind this mechanica
Dear friends,
We are writing to let you know about 'MADATAC III EDITION'.
Take a moment to check it out on IndieGoGo and also share it with your
friends.
All the tools are there.
Get perks, make a contribution, or simply follow updates.
If enough of us get behind it, we can make next 'MADATAC
so what? Lampoon is lampoon it is a simulation in real aspect of what
it criticizes:
"Du miroir et de l'écran, de la pensée radicale / On the mirror and on
the screen, on the radical thought
Abstract:
Certitude does not exist. Are you sure?
(Instabilité et métastabilité / Instability and metast
..on Sat, Aug 06, 2011 at 04:25:19PM +0200, Louise Desrenards wrote:
> Hi!
> Sorry but you are making a use of Baudrillard to contribute to your
> thesis but from a misunderstanding about him and about his text.
>
> Baudrillard has not written The conspiracy of Art from a reformist
> point of view
The conspiracy of art is a lampoon -- and all the contrary of your
view this text could be a real hommage toward the wide
On 6 August 2011 16:25, Louise Desrenards wrote:
> Hi!
> Sorry but you are making a use of Baudrillard to contribute to your
> thesis but from a misunderstanding about him and
Hi!
Sorry but you are making a use of Baudrillard to contribute to your
thesis but from a misunderstanding about him and about his text.
Baudrillard has not written The conspiracy of Art from a reformist
point of view nor from economic point of view, but as an act of
critical art -- of critical ac
Hi Mattyo,
Thanks for your comments, that was a good read.
For what it's worth I myself am not European. I'm a European resident from New
Zealand. There we have very little arts funding. Students often come out of
university degrees with 30-40k loans, artist fees are very rare and exhibiting
in
Hi Mattyo
I can see where you are coming from and appreciate you have experience living
and working in all three of the environments you were discussing (US, UK,
Europe). I have a similar history (with a couple of other places thrown in for
good measure) and appreciate travel puts things in con
16 matches
Mail list logo
