On 23/06/2013 21:56, Aaron Heller wrote:
The term "Ambisonics" does not appear at all in Fellgett's 9/72 article
[1], but is in the title in 11/73 [2].
The term "Periphony" incidentally was around in early 1973:
M.A. Gerzon, "Periphony: With-Height Sound Reproduction", J. Audio Eng.
Soc., vol.
Electronics and Power,
vol. 19, no. 20, pp. 492–494, 1973.
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Good point. Maybe he was apologising for NOT mixing Greek and Latin roots...
(It was a long time ago...)
GWW
On 23 Jun 2013, at 21:42, Richard G Elen wrote:
> On 23/06/2013 21:22, Gerald Wilson wrote:
>> they had settled on that terminology after some debate and apologised for
>> mixing Greek
On 23/06/2013 21:22, Gerald Wilson wrote:
they had settled on that terminology after some debate and apologised for mixing Greek and Latin roots; but
Felgett pointed out that a precedent had been set by the term "television", which in a
grammatically pure world would be called either "Procul-vi
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At 16:13 23/6/2013, Martin Leese wrote:
>Others have mentioned Trifield. The definitive
>paper for this is:
>M.A. Gerzon, "Optimum Reproduction Matrices
>for Multispeaker Stereo", J. Audio Engineering
>Society, vol. 40 no. 7/8, pp. 571-589
>(1992 July/Aug.)
>
There are two complementary papers
Maybe the next one should also be mentioned once again,
although it is a rather unorthodox method.
John Whiting used Ambisonic panning and decoding
in the Electric Phoenix live performances. He normally
used four speakers in a rectangle, but once he had problems
with the placement of the rear spe
Eric Carmichel wrote:
> Over the months, I?ve read a couple of posts asking whether it is possible
> to extract or synthesize surround channels from binaural stereo or
> non-Ambisonic surround formats. I am now attempting to do something that
> would appear to be simpler and more straightforward:
ork YO10 5DD
UK
'Ambisonics - Component Imaging for Audio'
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