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Hello all,
Apologies for any cross-posting. A timely reminder that the deadline
for proposals for papers or posters for the Interactive Audio Systems
Symposium is July 1st. The symposium is a free event to be held at the
University of York on the 23rd September. Please do forward to anyone
you thin
Bo-Erik Sandholm wrote:
> What is the simplest or best way to upscale FOA to TOA.
Harpex-based upsamplers yield good results.
Horizontal-only, you can use the Harpex-B plug-in. Full sphere, the Blue Ripple
Sound Harpex Upsampler.
http://harpex.net
http://www.blueripplesound.com/products/toa-h
Are there tools out there for putting b format into atmos, and then doing atmos
authoring?
What are my options?
Ta much
jon
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Has a sufficient spec of Atmos been published to allow one to know
what is needed to convert it to ambisonics?
If so, I'd be pleased to be pointed to it.
David
At 18:30 15-06-16, Jon Honeyball wrote:
>Are there tools out there for putting b format into atmos, and then
>doing atmos authoring?
>
@music.vt.edu
> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
> edit account or options, view archives and so on.
>
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Augustine Leudar
Artistic Director Magik Door LTD
Company Number : NI635217
Registered 63 Ballycoan rd,
Belfast BT88LL
---
Augustine Leudar
> Artistic Director Magik Door LTD
> Company Number : NI635217
> Registered 63 Ballycoan rd,
> Belfast BT88LL
>
>
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Augustine Leudar
Artistic Director Magik Door LTD
Company Number : NI635217
Registered 63 Ballycoan rd,
Belfast BT88LL
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At 21:07 15-06-16, Augustine Leudar wrote:
>the point of atmos - from what I
>can tell , is that you have speakers diffused throughout the space
>including in the middle of the audience - so you can get sounds to go
>through, in between, right next to the listeners. Even with focussed
>sources yo
