On 03/24/2011 04:15 PM, david monacchi wrote:
Dear all,
we're planning to build in Pesaro-Italy a small ambisonic studio with
13 loudspeakers (full 3D - 4@-45°, 4@0°, 4@+45°, 1@90°)..
knowing your field-recording work, i can see how you'd focus on first
order, but i can't help noticing how
and to add to this, I can say that Jorn's examples in the SPIRAL were the first
one to really convince me of the value of ambisonics... I always had bad
decoders and/or low order experiences, and there was some clever filter design
in a 3rd order setting... fantastic!
p
Le 2011-03-24 à 18:40,
On Thu, Mar 24, 2011 at 04:15:22PM +0100, david monacchi wrote:
Dear all,
we're planning to build in Pesaro-Italy a small ambisonic studio with 13
loudspeakers (full 3D - 4@-45°, 4@0°, 4@+45°, 1@90°).. We're now in the
process of moving walls, treating acoustically the room, etc.. The
