I lead a lot - I think I am the only woman lead I know who is NOT a
teacher. I started because I was tired of waiting to dance. I suppose
it's pretty much the same everywhere - many more follows than
leads.some nights, I pretty much lead all night - and I've started
to really enjoy it - n
Daniel Trenner and crew really knew what they were
doing with Bridge to the Tango. I wish they were
still available.
All of the followers technique videos are priceless.
I think there were three. I think all followers
should have a copy.
These five are great on video and beyond genius in
per
Instructional videos are a bit of a fraught issue. When my wife and I were in
BsAs last year, Aurora Lubiz recommended that we buy the 'Tango Baile Nuestro'
documentary for the scenes of 70s milonga dancing in that movie. I asked for it
in every tango shop that I went into but no one had it. Be
--- Tango For Her <[EMAIL PROTECTED]> wrote:
> Mario asked about learning shared pivots.
>
> I advise that a prerequisite to leading shared pivots
> is to learn and become confortable with various drags
> and sandwiches.
>
> Any other suggestions?
I'd suggest enrosques, calesitas, boleos, col
--- Michael Figart II <[EMAIL PROTECTED]> wrote:
My lead is to show my partner the nature, the length, and
the direction of the step. As she gathers all this
> information, her job is to interpret it, and do her
> very best to step exactly WITH me, not to step ahead
> of my step, but to help move
Hi everyone,
I have been following this list only recently so forgive me if this subject has
been discussed previously.
I have been dancing tango for about 3 years. Unfortunately I have not yet find
a regular partner with whom I can really work hard at developing very good
following skills, a
The only tango instructional DVDs I recommend are
Un Tal Gavito
There are 3 in the series. Well worth getting.
I'm sure everyone out there has their own favorite.
Cherie
http://tangocherie.blogspot.com/
**
Ideas to please picky eaters.
Watch video on AOL Living.
(http://liv
I'd like to hear from someone who has experience with the "Bridge to the Tango"
CDs/DVDs.?
What are the five tapes you would recommend most for an intermediate/advanced
dancer?
And, what are the five tapes you would *NOT* recommend?
I purchased a couple of these things a few years back and I
... on the question of "Why did she say you were dancing foxtrot?" ...
Lois proposed several plausible answers, but the thought that came to my mind
when I first read Mario's post was that it might have been the rhythmic
structure rather than steps or embrace. I don't know foxtrot, but I know th
I would argue that you are not "learning from the internet", but you are
copying things you see and then asking your partners to be your teachers.
This is a rather precarious position for them to be in, especially since it
is likely your partner doesn't know how to lead, doesn't know that she is
Thanks Sergio, I like your post a lot..and you scored a direct hit
with your depiction of 'fox-trot Tango" being one danced where
the mind of one or both dancers are somewhere else ie: paying the bills.
Wow, you hit the nail on the head..that is exactly the non-feeling of the
dance when it
"Mario, you dance great I love to dance with youBUT, you are not doing
TangoYou are doing the FOXTROT" ...ugh,"
Mario this is a common problem with those that come into Argentine Tango from
ballroom dancing: the biggest misconception is to assume that Tango is another
dance more, of
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