> From: Sandhill Crane
>
> --- On Mon, 11/15/10, Jack Dylan wrote:
>
> > The man 'Inviting' seems to imply that the lady then
> > has a choice to either accept or decline, which, surely,
> > isn't the case.
>
> Well, in response to the invitation, she has to do something,
> true enough -- it
Right and wrong are such absolutes. Almost nothing is "wrong" in tango.
However, consider
the following two scenarios:
1) the one you describe: the lady does not respond in the way you
anticipated and you work with it.
However, she only has 1 year experience.
2) same scenario, with a woman how
--- On Mon, 11/15/10, Jack Dylan wrote:
> The man 'Inviting' seems to imply that the lady then
> has a choice to either accept or decline, which, surely,
> isn't the case.
Well, in response to the invitation, she has to do something,
true enough -- it's not much of a dance if she'll just stand
--- On Sat, 11/20/10, Nina Pesochinsky wrote:
> Actually, this is not a tango rhythmically, but a rumba. :)
> Common mistake... Rumba rhythm can be played to hint tango,
> but it is still a rumba.
Well, it's probably pointless to try to assign this Burlesque
piece to any genre (although I'll g
--- On Mon, 11/15/10, Gordon Erlebacher wrote:
> What one perceives as simultaneous could be one behind the
> other, as long as the time separation between the two is
> sufficiently low. The best female tango dancers respond
> to indications from the leader "almost" instantaneously.
> Just as lig
--- On Mon, 11/15/10, Jack Dylan wrote:
> A teacher once told me that there is no lead and follow;
> the man dances his dance and the lady accompanies him
> with her dance.
Hmm. I dunno about that. Surely the man is actually
doing something (not sure what) to the woman.
I'm reminded of the old
