This really is an interesting topic the more I read about it. There are
many different factors that performers, dance schools, milongas and DJs need
to consider. Here is what I have distilled so far from many different
websites for Australian copyright.
Copyright has totally been extinguished
The following is a response from the Licensing Department, PHONOGRAPHIC
PERFORMANCE COMPANY OF AUSTRALIA (PPCA), to a series of questions I posed to
them:
"On 1 January 2005, the duration of copyright increased. The increase
applies to all works and sound recordings which were in copyright on
Interesting. So does this mean that if a music student does a recital of
Libertango in order to graduate, he must have a license to perform it (which I
would guess would be handled by the school)?
Would "public performance" include anything outside of the home, regardless of
whether money is r
On 19/02/11 03:54, Trini y Sean (PATangoS) wrote:
> Interesting. So does this mean that if a music student does a recital of
> Libertango in order to graduate, he must have a license to perform it (which
> I would guess would be handled by the school)?
>
Australian and US copyrights have some si
On 18/02/11 23:16, Vince Bagusauskas wrote:
> The following is a response from the Licensing Department, PHONOGRAPHIC
> PERFORMANCE COMPANY OF AUSTRALIA (PPCA), to a series of questions I posed to
> them:
>
>
> "On 1 January 2005, the duration of copyright increased. The increase
> applies to all
