Hell...It's all just a bunch of hicks and hillbillies playing music, isn't it?
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From: mistertaterbug
Sender: taterbugmando@googlegroups.com
Date: Mon, 21 Jun 2010 10:10:47
To: Taterbugmando
Reply-To: taterbugmando@googlegroups.co
oh i believe its a great place... i have read much about it and want to go
there someday... would love to see some pictures
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infact i have a norman blake mandolin tutorial CD... and i love those tunes
he teaches ...
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The Mandolin Symposium is starting today in Santa Cruz. It's a very
cool program, and our correspondent Rich DelGrosso is one of the
instructors. I wish I could afford to go...
http://www.mandolinsymposium.com/
Maybe some of you will be there. If so, please check out the resonator
5-string instrum
Not veering off, really. I also hear from Uncle Norman Blake that Doc
Roberts was a helluva mandolinist. Outside the few recordings there
are of him playing solo, I'm told that he recorded quite a bit as an
accompanist.
Taterbug
On Jun 21, 12:16 pm, Tud Jones wrote:
> Ooops here is that
> l
Ooops here is that link:
http://www.youtube.com/watch?v=77DqfsT_rF8&feature=related
On Jun 21, 12:14 pm, Tud Jones wrote:
> Don't want to veer to far off topic but I've always dug the mando
> backup in the Hoyt Ming recordings...http://www.youtube.com/watch?
> v=77DqfsT_rF8&feature=related
>
Don't want to veer to far off topic but I've always dug the mando
backup in the Hoyt Ming recordings...http://www.youtube.com/watch?
v=77DqfsT_rF8&feature=related
On Jun 21, 12:10 pm, mistertaterbug wrote:
> I reckon another way of saying that, or a clearer way, is that
> Monroe's right hand did
I reckon another way of saying that, or a clearer way, is that
Monroe's right hand didn't always play the 'rhythm melody' when the
left hand was, nor did his left hand always play the melody when his
right hand was. Then, there's that abstract thing to consider, and the
implied notes, and...Oh what
All righty then
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-Original Message-
From: mistertaterbug
Sender: taterbugmando@googlegroups.com
Date: Mon, 21 Jun 2010 07:28:24
To: Taterbugmando
Reply-To: taterbugmando@googlegroups.com
Subject: Re: All about Mrs Haley
Sounds like to me you guys
Sounds like to me you guys have got it well in hand. My ramblings
about Ella and her methods are purely my own way of understanding what
she's doing, but I think this all bears out pretty well to the test.
To me, Ella is a step ahead of fiddlesticks players, dancers and
drummers when they play melo
It has recently been brought to my attention that the chanting aspect
is indeed part of the prayer process and serves to open a clear
channel to God(or whomever one believes in...) so that the person
praying/playing and the listener are both involved more fully in the
blessing. I suppose, in other
It could well be an something that was fostered or developed,
conciously or unconciously, through prayer, and given the mystical
themes of some of Mr. Statman's albums and the emotion his playing
gives voice to in his klezmer albums, music and prayer seem to exist
in the same sphere for him. What i
Thanks for that, Steve,
I have this recording on a cassette from years ago, but don't rightly
know where it is. This might be better quality anywho. Amazing stuff.
All played nearly a year before I was born. Feels like I missed a
lot...
Taterbug
On Jun 18, 9:16 pm, Steve Cantrell wrote:
> I haven
I think one of the advantages of say trios or duets is that it demands
that the instruments are shifted from their normal sound space and
have to find new voices to support each other.
The genius of Bluegrass, for instance, is that each instrument has its
own sound space and as a result they all s
I have both double CD sets (Forked Deer and Grey Eagle) and have
studied on 'em. I love playing duets with a fiddler--and do so often--
so these records are a road map to that destination. Like Mike
mentions, Ela does seem to be playing the melody with her right hand
which makes good sense. When pl
It was either Oscar Peterson or Erroll Garner who always "hummed" or
vocalised while playing. Even more interesting is that the
vocalisation captured on disc was several bars ahead of what he was
playing on the ivories. It always sounds like a tuneful "eh eh eh eh
eh." I think I have a Garner 45
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