drop me an email when you have any cool screenings. I still go to film
festivals that show only 16mm but rare old stuff.
On Thu, Mar 3, 2016 at 3:05 PM, wrote:
> I just wanted to thank everyone for their help in regards to our 16 mm
> film collections.
>
> We have decided
Hi Folks,
If you're a librarian or acquisition professional responsible for buying
films and aren't subscribed to Videonews, you should be!
I've had a mini-flurry of independent filmmakers (and a even an new EDU
distributor!) reach out inquiring about posting to Videolib vs. Videonews.
In
Lisa,
We are being faced with figuring out the same thing with our 16mm film
collection. I have been going through each title to see if it has become
available online, or in VHS or DVD formats, or if I could locate a
copyright holder to gain permission to convert into streamed media.
Sometimes
I kind of figured that was the current procedure and most schools but I
think the complication is older thesis where the library may had permission
to keep a copy but not to digitize and make available. I have no
recollection of signing anything for my undergrad thesis.
I seem to remember a
I agree with getting permission.
This is a weird case though. It appears that he submitted a dissertation, but
did not actually graduate. But they mistakenly sent his dissertation to the
library anyway.
The graduation process normally involves signing paperwork that says
dissertation will be
Yeah, and there is a lot more to the Diversey situation than that summary. I’ve
always thought it was odd that the library wouldn’t return his (according to
him) half-finished, apparently error-riddled and never defended/accepted
dissertation. Most institutions have a systematic procedure for
sorry I can't find the original thread but there was recent discussion on
digitizing and adding various works to academic libraries including works
by students and staff
and I just stumbled on this. There was a case exactly on point ( though it
involved merely the written work not digitization)