Re: [Videolib] music reserves

2011-02-09 Thread Brewer, Michael
It is a fine line. Teaching has changed, so less is done in class than was before because the classroom, in a a sense has expanded beyond the walls. One would not read a book, or even an article in class, so that would not be covered, but listening to songs, or a score was something that was

Re: [Videolib] music reserves

2011-02-09 Thread Jessica Rosner
That is too fine a line for me. Who tells an instructor that the entire Civil War series can't be streamed because he thinks students should have access to it for general background? TEACH is very clear that it is for the transmission of material that would in fact be used in physical class if

Re: [Videolib] music reserves

2011-02-09 Thread Brewer, Michael
Jessica, we were talking about music, which does not fall under the limited and reasonable rule under the teach act. Film does. If an institution is the one streaming, i think that they are responsible for at least educating the instructors as to what is an appropriate amount under the section

Re: [Videolib] music reserves

2011-02-09 Thread Jessica Rosner
Like I said music is not my area, but issue of whether TEACH allows you to use ANYTHING you would not in fact be using in the course is the key question. It can't be used for some additional material you just did not have time to include at least not as I read both the act and LOC's explanation

Re: [Videolib] music reserves

2011-02-09 Thread Brewer, Michael
No. There is no requirement for this to be used in an online only course. While the criteria are somewhat lengthy and not as concrete as they could be, that is not one of the requirements. Sent from my iPad On Feb 9, 2011, at 9:54 AM, Jessica Rosner

Re: [Videolib] music reserves

2011-02-09 Thread Bergman, Barbara J
Thanks folks. You confirmed my gut reaction. I suspected that the Music Library Assoc had a document. I normally don't work music classes, but I do know that they, like film studies, usually have the students listen in class and then re-listen to write their paper or take quiz based on the

[Videolib] music reserves

2011-02-08 Thread Bergman, Barbara J
Are any of you up on best practices for audio reserves? I received a question about the legalities of doing a coursepack or e-reserves of music. I don't have the list of songs/artists yet, but I think it's a history of pop music class. What resources should I take a look at for guidance? TIA,

Re: [Videolib] music reserves

2011-02-08 Thread John Vallier
Hi Barbara, You can find the Music Library Association's Statement on the Digital Transmission of Audio Reserves @ http://copyright.musiclibraryassoc.org/Resources/DigitalReserves In short, MLA supports the creation and transmission of digital audio file copies of copyrighted recordings of

Re: [Videolib] music reserves

2011-02-08 Thread CAPLAN Victoria F
Hi Barb, Hong Kong copyright law is different than USA, but if one of my faculty members asked the question like this, I would answer this way: If you are talking about creating a mix-CD by copying *entire tracks*, or copying and posting entire tracks of music onto a server, it sounds like a