: Rob
To:
Sent: Thursday, January 03, 2008 11:48 PM
Subject: [VIHUELA] Re: Foscarini/Bartolotti notation - with music
Another possibility: this could be the earliest notation for the thumb
playing both up and down strokes - a very common flamenco guitar
technique,
called alzapua. It can be very
Subject: [VIHUELA] Re: Foscarini/Bartolotti notation and music
This is the passacaglia on p.17 we are discussing here...
It is possible to play them with a single finger up and down or possibly
even thumb down and finger up but I don't think this would be the method
of choice. Including any
Subject: Re: [VIHUELA] Re: Foscarini/Bartolotti notation - with music
This is the Ciaccona which Stuart won't have a copy of.
However, the problem with my earlier suggestion is that I just can't do it: I
played through yesterday and thought it just needed a bit more application
is the different effect
you would produce.
Answers on a postcard ..to
Monica
- Original Message -
From: Rob [EMAIL PROTECTED]
To: vihuela@cs.dartmouth.edu
Sent: Thursday, January 03, 2008 11:48 PM
Subject: [VIHUELA] Re: Foscarini/Bartolotti notation - with music
Another
To:
Sent: Thursday, January 03, 2008 11:48 PM
Subject: [VIHUELA] Re: Foscarini/Bartolotti notation - with music
Another possibility: this could be the earliest notation for the thumb
playing both up and down strokes - a very common flamenco guitar
technique,
called alzapua. It can be very
Monica Hall wrote:
Following on from the discussion about Foscarini's notation before Christmas I
wonder what other people on this list would make of a passage in one of
Bartolooti's passacaglias - the one on p.17 of his Libro Primo.
On the bottom stave of the first page (17) there is a
I've always assumed these were just light strums across two adjacent strings;
simplty an extension of just strumming on three (eg the 630 on the first beat
of the fourth full bar of this line).
As, I think, you imply, one needs to be a bit careful not to strum any other
surrounding
You are probably right - Bartolotti is very meticulous on the whole and
includes far more details about right-hand technique than most.
It is just that the piece by Foscarini that Stuart was commenting on includes
similar passages in thirds which Fosco has indicated are to be played lute
Them's my sentiments entirely!
Monica
- Original Message -
From: Rob [EMAIL PROTECTED]
To: 'Monica Hall' [EMAIL PROTECTED]
Cc: 'Vihuelalist' vihuela@cs.dartmouth.edu
Sent: Thursday, January 03, 2008 5:25 PM
Subject: RE: [VIHUELA] Re: Foscarini/Bartolotti notation
If you go right
Monica Hall wrote:
Following on from the discussion about Foscarini's notation before Christmas I
wonder what other people on this list would make of a passage in one of
Bartolooti's passacaglias - the one on p.17 of his Libro Primo.
On the bottom stave of the first page (17) there is a
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