Monica Hall wrote:
Subject: Re: [VIHUELA] Re: alternative tunings for Baroque guitar - and
campanella!
Thanks for saying it's an interesting topic! There is a lot more (oh
no!)
...with pictures wherever too.
Well - I couldn't find any more.
I meant that there is a lot more - but I
Subject: Re: [VIHUELA] Re: alternative tunings for Baroque guitar - and
campanella!
I meant that there is a lot more - but I haven't posted it yet! I've now
put dates on the entries and I will indicate changes to earlier posts by
writing in red. All the tunings you give below
Mjos Larson wrote:
I also think of scordatura less as playing in another key (although
that may well be in a composer's mind given the idea of keys and
emotions: see http://www.library.yale.edu/~mkoth/keychar.htm
http://www.library.yale.edu/%7Emkoth/keychar.htm for example), but
that it
Subject: Re: [VIHUELA] Re: alternative tunings for Baroque guitar - and
campanella!
Thanks for saying it's an interesting topic! There is a lot more (oh no!)
...with pictures wherever too.
Well - I couldn't find any more.
The nice thing about the Internet is that
it would be quite
often wish the
others hadn't bothered. Was it: lute envy, showing off or simply 'doodling' do
you think?
Martyn
--- On Sun, 17/8/08, Monica Hall [EMAIL PROTECTED] wrote:
From: Monica Hall [EMAIL PROTECTED]
Subject: [VIHUELA] Re: alternative tunings for Baroque guitar - and
campanella
Subject: Re: [VIHUELA] Re: alternative tunings for Baroque guitar - and
campanella!
The thing that slightly puzzles me about these guitar variant tunings is why
some (not all of course) were bothered with. Some chords (usually the
tonic) are, of course, made easier but others in the same piece
I also think of scordatura less as playing in another key (although
that may well be in a composer's mind given the idea of keys and
emotions: see http://www.library.yale.edu/~mkoth/keychar.htm for
example), but that it creates interesting and different sonorities,
interval possibilities, and
