: Wednesday, October 31, 2007 11:24 am
Subject: [VIHUELA] Re: dedillo
To: Monica Hall <[EMAIL PROTECTED]>
Cc: Vihuelalist
> thank you, monica. actually, i knew that ... just got
> a little disoriented with all these wizzing fingers.
>
> i'm sure there's a degree of subti
- Original Message -
> From: "bill kilpatrick" <[EMAIL PROTECTED]>
> To: "RALPH MAIER" <[EMAIL PROTECTED]>
> Cc: "'Vihuela Net'" ;
> <[EMAIL PROTECTED]>
> Sent: Tuesday, October 30, 2007 10:35 PM
> Subject: [VIH
OTECTED]>
To: "RALPH MAIER" <[EMAIL PROTECTED]>
Cc: "'Vihuela Net'" ; <[EMAIL PROTECTED]>
Sent: Tuesday, October 30, 2007 10:35 PM
Subject: [VIHUELA] Re: dedillo
thank you - my thumb over technigue doesn't exist and
it's a relief to know tha
John,
Is the Portuguese guitar you mention the 4-course like the Renaissance guitar
and the uke?
Jocelyn
From: John Griffiths [mailto:[EMAIL PROTECTED]
Sent: Tue 10/30/2007 8:41 PM
To: vihuela@cs.dartmouth.edu
Subject: [VIHUELA] Re: dedillo
My two
My two-penneth worth is that we have two main ways of learning about
dedillo from contemporary practice. One is from the variety of
techniques used in vihuela/guitarra-derivatives in Latin America,
such as the charango and various others. The second is the Portuguese
guitar that has continu
in watching the videos i mentioned earlier, i find
that for me - sans pick - if i expose the full face of
the fingernail (index or middle) to the string (as if
i were "buffing" it with the strings) i get a not
half-bad sound. the "half flesh/half nail" is
probably louder but i get a faster "trill"
At 07:00 PM 10/30/2007, Stuart Walsh wrote:
>Is the vihuela the only instrument that uses this technique? I don't
>think there is anything like it in 4 or 5 course guitar, or any kind of
>lute, technique. There couldn't be anything in the construction of the
>instrument that makes this a more l
Net'
Cc: [EMAIL PROTECTED]
Subject: Re: [VIHUELA] Re: dedillo
archiving (is that a word?) problems from your address
might be "spam" related. it happened to me once and i
felt just awful about it (my italian server was to
blame ...)
in ralph maier's excellent article there&#
ilpatrick <[EMAIL PROTECTED]>
> Date: Tuesday, October 30, 2007 4:03 pm
> Subject: [VIHUELA] Re: dedillo
> To: 'Vihuela Net'
> Cc: [EMAIL PROTECTED]
>
> > archiving (is that a word?) problems from your
> address
> > might be "spam&q
At 06:27 PM 10/30/2007, RALPH MAIER wrote:
>...and index and middle finger (like modern guitarists). The last was
>apparently Fuenllana's fingering of choice.
Intriguing. Also like what Guerau recommended for scalar passages on
treble courses in his guitar book.
Eugene
To get on or off thi
October 30, 2007 4:03 pm
Subject: [VIHUELA] Re: dedillo
To: 'Vihuela Net'
Cc: [EMAIL PROTECTED]
> archiving (is that a word?) problems from your address
> might be "spam" related. it happened to me once and i
> felt just awful about it (my italian server was to
>
At 05:25 AM 10/30/2007, bill kilpatrick wrote:
>not sure what the difference is between tremolo and
>dedillo...
Depending, both techniques can coincide. Dedillo is striking the string
with both the up and downstroke, or both the contraction and extension, of
a finger. Tremolo is the rapid rep
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