Addendum to my previous message:
>just under the surface lurk echoes and shadows of a rather Gothic
>narrative with uncertain details.
Can't believe I didn't think to mention a far better example of
this: about 90% of Edward Gorey's work is basically quasi-narrative
collage with an atmosphe
Sure. It is a common theatrical technique.
Unfortunately, emergence-based meaning
depends a lot on the skill of the perceiver
to create coherent maps. Think of the
Monty Python bits like "The Meaning of Life".
How easy is it to go through each sketch to
see what they are doing besides mak
Bob wrote:
> What dismayed Adorno about the project in 1935 was Benjamin's faith
> that a mere assemblage of objects (in this case, decontextualized
> quotations) could speak for itself.
A friend of mine once wanted to write a hypertext fiction piece
that would consist of a set of "rooms"
