Nice one. Tanks for this as most of us are too small to be heard.
I wish other companies would follow.


Artur


2014-03-10 11:20 GMT+01:00 Alastair Hearsum <hear...@glassworks.co.uk>:

>  Folks
> Dan Y and other folks, I hope this comes across as firm but reasonable. I
> will post it on other appropriate sites. Any ideas on that front?
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> * An open letter to Autodesk. Dear Autodesk My name is Alastair Hearsum.
> I'm a founding partner, director and head of 3d at Glassworks. If you
> haven't heard of us, we are a small to midsized company which has been
> creating VFX and animation for TV commercials for markets around the world,
> for the past 20 years. We have branches in London, Amsterdam and Barcelona.
> We create innovative and multi award winning work and we use Softimage.
> Your announcement that you are retiring Softimage has left us saddened,
> disappointed and not a little angry. The anger for two reasons; that you
> have shot the racehorse of the 3d software world in the head in its prime
> but also that you didn't consult with us about this assassination or
> discuss any of your plans for the future with us. We have no idea what the
> future from you holds. We are big and longstanding users of other Autodesk
> products as well as Softimage. The puzzling thing is, technologically
> speaking, there was no writing on the wall as there was with Henry and
> Flame, for example, or these days with Flame and Nuke. We have been
> punching above our weight, in London, for the past 20 years competing well
> with the much larger organisations of MPC, Framestore and The Mill. One of
> the reasons we have been able to do that, apart from the deep talent of our
> crew is, I believe, because of the software that we chose. I'm nearly 150
> years old  now but I still sit at the computer making pictures for TV
> commercials to the same arduous schedule that I always have. So I know what
> I'm talking about. For a period a few years back we had a 50/50 split of
> Maya and Softimage. We chose to go 100% Softimage. Its better for the work
> that we do and the sector we are in. Its no coincidence that all the
> finalists in the recent British Animation Awards (tv commercials) did their
> work in Softimage. Similarly, both silver and gold award winners in the 3d
> animation category at this year's British Television Advertising Craft
> awards were Softimage companies. You may well go on to list major work
> that's been done in Maya. Sure there has, and great work too. But Maya is
> used as a shell in the major film effect companies. It is heavily
> customised and unrecognisable as the product you ship. We have our
> proprietary software and tailored workflow as well, but Softimage remains
> pretty much untouched. It is lean, efficient, and the ICE environment is
> innovative and empowering. So you've done it. What's next? Like I said we
> have had vague information about what the future holds. We hear rumours
> about bi-frost and that's about it. From what I understand from various
> sources there are no plans to replicate the efficient workflow and full ice
> functionality that made us so productive. You have offered free
> transitionary licenses of Maya with the threat of having to discontinue
> using Softimage in 2 years time. The final thought is not just about what
> software is best for our future but also about what sort of software supply
> company we want to get into bed with. The attributes that come top of my
> list: listening to customers, acting on their recommendations, speedy
> development, innovation. Now does that sound like you? Alastair Hearsum
> Glassworks.*
>
>
>
> --
>  Alastair Hearsum
>  Head of 3d
> [image: GLASSWORKS]
>  33/34 Great Pulteney Street
> London
> W1F 9NP
> +44 (0)20 7434 1182
> glassworks.co.uk <http://www.glassworks.co.uk/>
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