The files on Ambisonia are already exposed to the world as torrents.
Some could be included in the list.
--
Marc

On Tue, 4 Nov 2014 02:59:01 -0700, Bearcat M. Şándor wrote :

> I'd ask that any pieces that are in the public domain, copyleft, open
> etc, be listed publicly so we have a good list of original, free
> content for download. Perhaps they could be gathered into a torrent.
> 
> Thanks,
> 
> On Tue, Nov 4, 2014 at 2:38 AM, Martin Parker <martin.par...@ed.ac.uk>
> wrote:
> 
> > Dear SurSound - calling composers and field recordists
> > I’m putting together a non-stop playlist of bFormat works to play
> > through December as part of ‘gap in the air’, a four month-long
> > sound festival at Talbot Rice Gallery in Edinburgh -
> > https://digital.eca.ed.ac.uk/gap-in-air. I’d like to invite members
> > of this list to send works in if you have something that you think
> > will fit. We’re trying to show a wide range of approaches to
> > composing with space and recording sound. We’re interested in fully
> > formed pieces, interesting/special field recordings and even
> > one-off sound events.
> >
> > The main conditions for inclusion are that you grant us permission
> > to play the sound in the space and that (if a piece of music) the
> > work is yours. We’re also looking for technical simplicity so would
> > like the works to arrive in four-channel WXYZ bformat .wav.
> > Everything will play at 44.1kHz so please SRC the file before
> > sending it in should you need to.
> >
> > If you want to have your work considered for this playlist please
> > send me a link to a dropbox (or other) folder that contains a .zip
> > of the bformat file (WXYZ), a photo/album cover if this is
> > relevant, and a text file with the following information:
> >
> > your name
> > title of the piece
> > duration
> > a short description of the piece (1 paragraph - for display in the
> > gallery) more extended notes if you wish these to be available
> > online
> >
> > The deadline for this is end of next week Friday 14th November,
> > we’ll be glad to consider submissions after this date but given the
> > time it will take to sort through everything and put the playlist
> > together, this is my nominal cut off date.  Preference for
> > inclusion on the playlist will be shorter tracks as we want gallery
> > visitors to get a sense of the range of work that’s out there and
> > what’s possible with ambisonics, some longer pieces will also be
> > included.
> >
> > A technical note: we’ll be decoding the 4 channel files to a 12
> > (possibly 16) channel rig. The room is a Georgian gallery space, so
> > this will colour the sound significantly, I’ll attempt to balance
> > the pieces in the room to give the best effect for each work, but
> > abandon any hope of their being a clear sweetspot. The sound will
> > certainly envelop the listener and fill the room but a sense of a
> > solid 'image’ will be fleeting.
> >
> > Incidentally if you wish to come to Edinburgh, we’ll host a panel
> > discussion on sound spatialisation in gallery spaces on the 15th
> > December. Would be great to meet some of you at this.
> >
> > Best wishes
> > Martin~
> >
> > martin.par...@ed.ac.uk
> > Programme Director, MSc Sound Design
> > http://soundeducation.net
> >
> > Sound Lab Edinburgh:
> > http://sites.ace.ed.ac.uk/sdresearch/
> >
> > Tel. +44(0)131 650 2333
> > Mob. +44(0)7813 217 092
> > www.tinpark.com
> >
> > Postal address:
> > MSc Sound Design
> > c/o Dr. Martin Parker
> > Edinburgh College of Art
> > Alison House
> > 12 Nicolson Square
> > Edinburgh
> > EH8 9DF, UK
> >
> > Google Map:
> > http://maps.google.co.uk/?q=eh8+9df
> >
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> 
> 
> 

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