I should be getting my google cardboard in the post today. I'm looking forward to trying this out. When you say it was recorded at the board do you mean separate instrument or submix stems that where later positioned in b-format/FOA then? If so I am doubly excited to hear how someone else does a pop mix in FOA.
Daryl On Thu, Nov 20, 2014 at 11:59 AM, Adam Somers <a...@jauntvr.com> wrote: > We just released our first piece of VR content with ambisonic audio to the > public. It's a live recording on stage at a recent Paul McCartney > concert. The audio was captured from the sound board and mixed in > b-format. Available for Google Cardboard now, Oculus Rift Mac/PC coming > soon. http://www.jauntvr.com/content/ > > Adam Somers > Jaunt, Inc. > http://jauntvr.com > > On Thu, Nov 20, 2014 at 5:39 AM, Peter Lennox <p.len...@derby.ac.uk> > wrote: > > > Having quickly skimmed through the discussion, I'm not sure if I missed > > something, so apologies if I have. > > > > HRTF derived binaural is never going to completely work unless you use > > your own, personalised HRTFs. Using generic HRTF datasets, the problems > > usually manifest as front-back reversals (which head tracking ought to > > disambiguate) and lack of externalisation. (especially, I seem to > remember, > > directly in front of the head). > > The externalisation problem can be extended to the range-perception > > problem - and range perception is very largely to do with indirect sound > - > > just as, for instance, range perception does not work well in an anechoic > > room. > > > > I thought full HRTFs did take into account shoulder and torso reflections > > - though it seems likely that it's usually measured with shoulders > parallel > > to the line running through the ears? > > > > > > Dr Peter Lennox > > > > School of Technology, > > Faculty of Arts, Design and Technology > > University of Derby, UK > > e: p.len...@derby.ac.uk > > t: 01332 593155 > > ________________________________________ > > From: Sursound [sursound-boun...@music.vt.edu] On Behalf Of Bo-Erik > > Sandholm [bo-erik.sandh...@ericsson.com] > > Sent: 20 November 2014 09:30 > > To: Surround Sound discussion group > > Subject: Re: [Sursound] Oculus Rift Visual Demo + Ambisonic Audio > > Available? > > > > Some of the current subject was vitalized by me trying to be ironic about > > how non ambisonic guys are trying to solve the sound field recording > > problem. > > > > Originally there was not, and I am not sure there currently exist a > > solution for sound and picture having a coherent scene movement > (controlled > > by head direction) for Oculus Rift and like VR viewer in video and sound > > environments other than those controlled by game engines. > > > > I want to listen to realistic FOA tetramic recordings over headphones if > > possible. > > My thinking is strongly impacted by the current availability of a < 20 > USD > > 3D direction sensors and low cost processing power. > > > > Pointer on howto implement low cost head tracker including headtracking > > binaural software http://www.matthiaskronlachner.com/?p=2091 > > > > Low cost processing: M805 1.5GHz (Cortex-A5) android 4.4 stick for < 40 > > USD. > > > > > http://www.geekbuying.com/item/MK808B-Plus-Amlogic-M805-Quad-Core-Android-4-4-Mini-TV-Dongle-1G-8G-WIFI-H-265-HW-Decode-Bluetooth-DLNA-Miracast---Black-337068.html > > note to self does this ARM v5 version support NEON answer = Yes. > > > > > > I believe there are at least a few glaring problems in the way binaural > is > > generated via HRTF's currently. > > > > I think head tracking is part of the solution. That is that the sound > > field decoding parameters to binaural change when you move your head. > > - the goal of adding head tracking with binaural listening is to get to > > the status that the sound field is stationary and externalized . > > - Personally for me listening to others binaural recordings with inear > > microphones there can an experience like listening to a vertical sound > > field slice/surface trough the ears, that is a bit externalization to the > > sides and up and down but no depth! > > - Introducing head tracking controlled rotation of the sound field > before > > ambisonic to binaural conversion enables the sound field to stay in the > > "initial position" when the listener moves the head in all directions. > > > > Things having potential for improvement are in my opinion: > > - HRTF's are not individual, maybe not such large problem can > appearently > > be adapted to during listening, is the ear to ear distance most > important? > > - In current state of art all HRTF's are created with the live victim > > locked in a head brace and the whole body stationary as sound source is > > rotated horizontally / vertically in relation to the subject or in worst > > case the subject is a decapitated kunstkopf! > > - Maybe we should add a separate info channel for "torso tracing" in > > addition to the head tracing. See Note 1 > > - > > > > Note 1 > > I took a look in the mirror :-) > > When turning the head or nodding, the distance from my shoulders to the > > ear channels stay the same, more or less. > > When nodding sideways (is that english?) the distance to the shoulders > > changes drastically. > > > > Today on my walk to work through a park, I walked past a distant white > > noise point source (a large fan in an air cooling installation). > > I decided to do a small psychoacoustic experiment with my HRTF's :-). > > - 1- I rotated my whole body in relation to the sound source as if I had > a > > head brace. > > - 2- I rotated my whole torso in relation to the sound source with my > head > > directed towards the sound source. > > - 3- I rotated my head in relation to the sound source with stationary > > torso. > > - 4- I forgot to nod sideways :-) > > The only sound change I could notice was for case -2-, there was a large > > noticable impact on the white noise spectra, as I am not a musician I am > > not able to specify the frequency range that was mostly impacted. > > > > I think this is a strong indication that head movement in relation to the > > Torso should be added to HRTF processing for binaural sound! > > Maybe it can be implemented and tested for a special case, that is: > > - HRTF's created for a fixed torso with the head turned instead of the > > whole person? > > - Can this be created with the best resolution in the forwards listening > > sphere for optimization? > > > > Best Regards > > Bo-Erik Sandholm > > Stockholm Sweden > > > > -----Original Message----- > > From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of dw > > Sent: den 20 november 2014 00:02 > > To: sursound@music.vt.edu > > Subject: Re: [Sursound] Oculus Rift Visual Demo + Ambisonic Audio > > Available? > > > > On 19/11/2014 22:49, Paul Doornbusch wrote: > > > Can you give us some links to this please? > > > > > > Thanks, > > > Paul > > > > I'll give you a couple. If you record a sound in front of a dummy head, > > you would expect to hear it in front on replay through headphones. > > If you tilt your head backwards while listening, you would expect the > > auditory image to rotate with the head/ears/torso. Neither happens in all > > cases.. And then there is the 'externalization' problem. > > > > > > > > On 20 Nov 2014, at 9:46 AM, dw <d...@dwareing.plus.com> wrote: > > > > > >> There are numerous examples where the predictions of HRTF localisation > > are falsified by observations. What is one to think of the science? > > >> > > >> > > > > _______________________________________________ > > Sursound mailing list > > Sursound@music.vt.edu > > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, > > edit account or options, view archives and so on. > > > > The University of Derby has a published policy regarding email and > > reserves the right to monitor email traffic. If you believe this was sent > > to you in error, please select unsubscribe. > > > > Unsubscribe and Security information contact: info...@derby.ac.uk > > For all FOI requests please contact: f...@derby.ac.uk > > All other Contacts are at http://www.derby.ac.uk/its/contacts/ > > _______________________________________________ > > Sursound mailing list > > Sursound@music.vt.edu > > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, > > edit account or options, view archives and so on. > > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > https://mail.music.vt.edu/mailman/private/sursound/attachments/20141120/ba262b89/attachment.html > > > _______________________________________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, > edit account or options, view archives and so on. > -- Daryl Pierce www.darylpierce.com -------------- next part -------------- An HTML attachment was scrubbed... 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