Just to bring everyone down to earth ..

There are two easily reproduced experiments first carried out by prominent 
members of this group which put these effects into perspective.  They are 
the

Greene/Lee Neckbrace
and
Malham/Van Gogh Experiment

The first shows 'real life' Fixed Head Localisation (which matched HRTFs 
address) is TERRIBLE.  Many people can't even distinguish back/front with 
perfect (measured on their own noggin) HRTFs ... or even in 'real life' 
with a Greene/Lee neckbrace.  Anyone who has done fixed head localisation 
experiments finds this out real quick.

The second shows that even the tiniest amount of head movement improves 
localisation immensely and any ambiguity due to mismatched Pinnae etc (and 
YES, the pinnae colouration effects are chaotic) are INSTANTLY resolved. 
 No 'training' is necessary with head movement.

Even vertical localisation, for which Fixed Head HRTFs have the most 
benefit, require a priori knowledge of the source spectrum.  I've done a 
small amount of work involving victims ... I mean subjects ... blindfolded 
and tied up face down on anechoic chamber floors which show the first pin 
drop is impossible to localise.  Second and subsequent pin drops are much 
easier.

I'll point out that Gerzon had Fixed and Moving Head versions of all his 
Localisation Theories.  The infamous Energy and Velocity vector 
'magnitudes', rE & rV, are in fact a measure of the correspondence of Fixed 
with Moving.

His Energy and Velocity models incorporate (give the same results as) ALL 
the existing Localisation models except for the HF interaural delay 
(Transient) and Colouration ('HRTF') models.

One of Gerzon's most important contributions is that he shows the 
equivalence of the full Moving Head models like Makita, which assume the 
listener will fully turn to face the sound ... with the models that only 
assume small involuntary head movements.  See "General Metatheory ... " for 
the nitty gritty.
____________________

If you make some B-format recordings with a properly aligned Ambisonic mike 
like TetraMic, you can test some of this for yourself.  Have lots of things 
happening all around including up & down.  Use headphones and the crudest 
possible Binaural decoding ... slightly hyper cardioids at about 150.

You will find about 10% of the population have difficulty with front/back. 
 But let these guys twiddle the Azimuth & Elevation controls on VVMic 
themselves and they immediately become happy with the scene ... even before 
they work out VVMic's slightly quirky interface.
____________________

CONCLUSIONS

If you have Head Tracking (ie Moving Head Localisation), don't bother with 
fancy HRTFs.

Eric Benjamin found that you get most of the benefits from just getting 
head size right but even this isn't necessary if you have Head Tracking. 
 Blumlein shuffle probably worth doing as you essentially get it free with 
your simple IIR implementation.

Fancier HRTFs will need EVIL FIRs to be of use.  You will lose any chance 
of 'real time' and muck up the experience for 'mismatched' listeners. 
 Expect only small (if any) 'improvement' for the huge extra.computing load 
to interpolate between HRTFs.

If you haven't got Head Tracking, GOTO Head Tracking

This covers all the Virtual Reality applications.  The Video Game people 
like Simon Goodwin of Codeworks have been doing it for at leas a decade 
with 3rd Order HOA IIRC.

If you insist on fancy HRTFs and Fixed Head ... do you seriously think you 
can improve on the listening experience of present & past generations of 
listeners, who have listened to 'music' over ear buds for more than a 
decade ... with fancy HRTFs ? GOTO Head Tracking.
____________________

SPECIAL OFFER

Send $500 in used bank notes to me at Cooktown Recording and Ambisonic 
Productions mentioning Sursound, for a sample Greene/Lee Neckbrace and 
Diamond Encrusted Malham/Van Gogh cap. Golden Pinnae are an extra cost 
option on the last item.  No Confederate money please.
_______________________________________________
Sursound mailing list
Sursound@music.vt.edu
https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit 
account or options, view archives and so on.

Reply via email to