LS3s are good option and Earl Geddes himself rates them quite highly (as he did the behringer truth) . I wouldn't limit yourself to ambisonics , just normal 3d amplitude panning can get you equally good results.It also depends why you are mixing in 3D audio - is it for your own listening pleasure ? or is it to create content for games / film etc ?
On 22 March 2016 at 03:24, Albert Leusink <alb...@tumbleandyaw.com> wrote: > Maybe this got stuck in the haystack, but still would love to know if there > are any opinions? Thanks ! > > > > > > _______________________________________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, > edit account or options, view archives and so on. > -- Augustine Leudar Artistic Director Magik Door LTD Company Number : NI635217 Registered 63 Ballycoan rd, Belfast BT88LL -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20160322/c8262dc7/attachment.html> _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
