TFH, you may have your own style, but I don't believe people develop a style 
from taking lessons. Private lessons are great at helping you fix problems with 
your body, like if you are looking down and watching your feet while you are 
dancing, or not dancing with a straight back, or stepping inelegantly, or not 
leading with the chest. This is ensuring your body is actually moving in a way 
that is technically correct. I would call this the physical element of dancing 
tango.

The other thing you get from lessons is a repertoire of steps you can use, some 
guidance on how to fit them to the music and points on things like floorcraft. 
This is what I would call the intellectual element of tango. Style then is a 
third element and, in my opinion at least, something different to both of those 
other things. I should add that a categorisation of tango into these three 
elements is not an original thought of mine. I got this from a lesson with Hugo 
Daniels, but the rest of my comments about 'what is style' are all my own ;-).

Based on my observations, most people already have a distinctive way of dancing 
from the very first time they step on the floor. It is really amazing how in 
many cases this 'style' actually reflects their personality and is very 
revealing about them as a person. Sure, it evolves a bit as they work on 
perfecting their technique, increase their repertoire of steps etc, but if they 
started out as a solid dancer usually they stay a solid dancer and just get 
clearer and lose any wasted movements out of their dance over time.

By way of example, some followers I know are really earthy and grounded and 
dancing a milonga with them, for example, is great because they give you so 
much push back it is like you are spring loaded. Others are so precise and 
delicate always stepping delicately *here* or *there* in an ocho, for instance, 
so it really is like you are both dancing on little hearts. Still others love 
gently squeezing you to do slow sexy embellishments so dancing with them is a 
bit like flirting. And all of these tendencies seem to be established very 
early on from what I can tell.

To take one extreme example, someone who comes to tango after a long period 
dancing ballet in their teens is going to dance very differently from someone 
who has never danced before. They are going to tend to be turned out, for a 
start, which has an impact on the way they step and the way they feel. Also, a 
tall person's dance is going to be shaped in many ways by the efforts they make 
to deal with the issue of height difference to most partners, so this will 
impact their embrace and hence the way they feel. There was a thread a while 
back talking about how jazz drummers interpret music differently - another 
example :-).

So I apologise in advance to all the teachers out there, but these observations 
lead me to conclude that this ineffable thing we are calling 'style' actually 
has a lot to do with body shape, aptitude and attitude rather than what you may 
or may not learn in lessons.

Victor Bennetts

>>
>> That is really good advice TFH, but those things are all about
>> dancing well, not about developing your own particular style

>> Victor Bennetts
>>

TFH>Actually, I have always been told, since those
>lessons, that I have a style of soft tango that noone else has (in the
>places that I have danced).

Victor Bennetts

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