For me, quite simply because it's not.  It's Argentine.  Just the
updates to the style are 'new'...

2009/7/31 Trini y Sean (PATangoS) <patan...@yahoo.com>:
>
>
> --- On Fri, 7/31/09, Noughts <damian.thomp...@gmail.com> wrote:
>
>> I wonder why we hypothosis that
>> "Nuevo" is not tango, when it was only
>> ever an extension of tango and a breakdown of how they
>> danced salon
>> and then using it in different ways....
>
>
> I'm not hypothesizing that Nuevo is not tango.  I don't see that it can't be 
> tango the same way Finnish Tango is a type of tango, or International Tango 
> is a type of tango.  Why insist that extreme Nuevo is Argentine Tango?
>
> Someone correct me if I am wrong, but didn't Chicho et al find their success 
> outside of BsAs?  Aside from Piazzolla (who was a New Yorker), isn't there 
> quite a bit of influence from world music?  Which again leads us to, why 
> insist that Nuevo is Argentine?  Why insist on keeping that tie?  Why do 
> nuevo extremists continue to position themselves in a defensive position?  
> Why not really take Nuevo into a more positive direction?  Why don't extreme 
> nuevo-ists really just give themselves more freedom if that is what they 
> want?  Incorporate those rumba moves if you want without having to defend 
> doing so.
>
> In this digital age, gung-ho nuevo dancers could just set up their own 
> listserv (like Tango-L) and exchange ideas/videos.  They don't need the 
> blessing of the "fathers of nuevo".  Can't be that hard to recruit people who 
> attend the nuevo festivals.
>
> I also want to be clear about something.  I really like Sebastian and Mariana 
> as teachers and dancers.  They are lovely people.  I really enjoyed their 
> classes in Baltimore a few years ago, and I wish I could go again this year.  
> I had planned to to, but I don't think we can.  I wish I could be as creative 
> as those two.  But it doesn't make sense to me that such talent would need to 
> limit itself to "Argentine Tango".  Why not "World Tango"?
>
> Trini de Pittsburgh
>
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