What? Did I miss somethin'?
T
On Mar 19, 9:10 am, 14strings <perrypale...@gmail.com> wrote:
> I'll try........for example where the typical melody would call for
> three different pitched notes Monroe might play the same note three
> times in a row.
> Yet he would still capture the essence of the melody..... hard to
> describe in words.
>
> Tater?
>
> On Mar 19, 9:30 am, Jonas Mattebo <jonas.matt...@gmail.com> wrote:
>
> > What are these 'Monroe shortcuts' you speak of? Can you give examples?
>
> > /Jonas
>
> > 2009/3/19 14strings <perrypale...@gmail.com>
>
> > > Me three! Conventional wisdom says to play fast you have to learn to
> > > play/practice slow. That's safe wisdom. I'm in the other camp. I say
> > > in order to play fast you have to play fast.
>
> > > So practicing the tunes at 155 and above even if I can't get all the
> > > notes makes 130 bpm smoother....also those "Monroe" fiddle tune
> > > shortcuts make faster speeds
> > > easier.....sometimes
>
> > > Ever since I started taking the Tater Tutorials and attempting to
> > > incorporate the right hand tremolo technique I've noticed that I don't
> > > mind playing the fiddle tunes slower.
> > > They sound full at slower tempos because of all that rhythmic nuance
> > > and constant pick on the strings fiddle bow thing.
>
> > > After every lesson where Mike shows me one of his or Monroe's
> > > shortcuts I think why didn't I think of that? But I never can. They
> > > are deceptively simple but really ingenious.
>
> > > Perry
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