Robin, that's why tunes have names--so we can tell them apart.

On Mon, Dec 20, 2010 at 7:13 PM, Linda <lj...@intas.net.au> wrote:
> Val and Robin,
> I have a Shetland Island tune here that has an A part that is almost
> exactly the B part of Grub Springs (if one thought of the Grub Springs
> version being an on-steroids take, a few more notes, and a jazzed up
> rhythm).  I am convinced that a fiddler long ago arrived in Old Miss,
> from the Shetlands, then over time, a Mississippi spin was put on the
> tune, giving it a crooked and kinda spooky effect, while accommodating
> the local dance style.
>
> A mate of mine has said that in old time music there are really only 5
> or 6  tunes.  And only one model one.  Meaning most of the old time
> music is just a variation of one of the 5 or 6 tunes. When my mate
> hears a new tune, she links in her mind to say ...Sally Goodin or one
> of the other basic 5.
>
> We have the fire going here, as even though it is summer, its been
> cold and cloudy with cold wind and rain. We are right on the edge of a
> weather front, so once in a while for an hour or so warm summer
> sunshine, then the south pole climate moves in again.
>
> linder
>
>
> On Dec 21, 12:13 am, Val Mindel <vmin...@gmail.com> wrote:
>> Robin, that's a ramble in many dimensions. But Dusty Miller and Grub
>> echo each other beyond the key thing. There's a clear path there.
>> Garfields is another journey. For me its still such a finger twister
>> that I can't relax and get into the music of it. In the rambling
>> spirit, I've managed to get this far in the holiday season without
>> getting totally sick of Christmas music (probably because I haven't
>> ventured much into commercial establishments). Life is snowy here in
>> Vermont, but cozy ... just the right sort of weather to hunker down
>> and learn tunes. best, val
>>
>> On Dec 19, 2:48 pm, Robin Gravina <robin.grav...@gmail.com> wrote:
>>
>> > Was playing the Grub the other day, and found myself playing Dusty
>> > Miller, then today while fixing my daughter's crappy keyboard, played
>> > it in E flat, starting on C and it turned into garfields BB. anyone
>> > else? or have I been listening to too much Capt Beefheart these days?
>> > And in Spain, Enrique Morente has just died too: fantastic flamenco
>> > singer with as wide a palette as you can imagine: recorded with a Punk
>> > band, but was also purer than the pure.
>> > So endeth the ramble
>>
>> > 2010/12/18, mistertaterbug <taterbugmu...@gmail.com>:
>>
>> > > Must be a girl thing! Ah, the kind of remark that inspires "open
>> > > season" for retribution. <G> Let 'er fly!
>> > > TB
>>
>> > > On Dec 17, 9:14 am, kathy nichols <kathymnich...@gmail.com> wrote:
>> > >> Very good points Gathel.  I have already learned alot about myself
>> > >> watching my video attempts. Like do I really hold my pick like that?!!
>> > >>  Kinda like listening to your own voice.  We do tend to be our own
>> > >> worst critics.
>> > >> I also find this group very supportive of everyone's attempts and hope
>> > >> to have my version of "Bug Water" up soon, double slops and all.
>>
>> > >> Funny how Val and I came up with the same phrase!
>>
>> > >> Kathy
>>
>> > >> On 12/17/10, Gathel Runnels <gorunn...@gmail.com> wrote:
>>
>> > >> > I agree with the big Tater. What's really important is to have fun and
>> > >> > do
>> > >> > what you can. You learn a lot from listening and watching yourself 
>> > >> > play.
>> > >> > You
>> > >> > see all the mistakes and hear that stuff you thought sounded like one
>> > >> > thing
>> > >> > doesn't really sound that way. It's painful for most of us to see and
>> > >> > hear
>> > >> > recordings of ourselves but the thing I've realized is that everybody
>> > >> > else
>> > >> > has already seen and heard what you really sound like and most still
>> > >> > like to
>> > >> > pick with you. Others have already accepted you for what you are so 
>> > >> > just
>> > >> > do
>> > >> > your best and use it as a learning experience. Look at it in very
>> > >> > technical
>> > >> > terms like how would it sound different if I positioned the mic
>> > >> > differently
>> > >> > or used more down strokes or bought a much better instrument or
>> > >> > whatever.
>> > >> > Pretend that your looking at someone else and what would you tell them
>> > >> > to
>> > >> > make their pickin' better.
>> > >> > This has been fun to see how everyone treats the tune a little
>> > >> > differently.
>> > >> > It's easy to see how, in the days before recordings, that tunes 
>> > >> > evolved.
>> > >> > Keep 'em coming.
>>
>> > >> > Gathel
>>
>> > >> > On Fri, Dec 17, 2010 at 8:48 AM, mistertaterbug
>> > >> > <taterbugmu...@gmail.com>wrote:
>>
>> > >> >> Just do what you can do. No judgements from out here in Taterbug 
>> > >> >> land.
>> > >> >> Val invented a new phrase the other day by accident(slip of the
>> > >> >> tongue) that I think applies to all of us. Her phrase is "double
>> > >> >> slops". Too funny, too true. Loosen up and enjoy yourself. You don't
>> > >> >> have to wear your best hat in front of us. We like you like you are,
>> > >> >> warts and all. You listening, Clyde?
>> > >> >> Tbug
>>
>> > >> >> On Dec 17, 6:16 am, Linda <lj...@intas.net.au> wrote:
>> > >> >> > That goes for me too..heck I have only been working on mando 
>> > >> >> > serious
>> > >> >> > for a couple of years....I working too.
>> > >> >> > I draw some and find what I aim for from my head is nothing like 
>> > >> >> > what
>> > >> >> > comes out on paper.  And its that way with the mando too.  I am
>> > >> >> > hearing it, and when I play it on vid, it seems like somebody else
>> > >> >> > and
>> > >> >> > not how my head is hearing it.  Remarks from Tater are noted and
>> > >> >> > appreciated.
>> > >> >> > I am aiming for my muse...might be more like a mess though.  This 
>> > >> >> > is
>> > >> >> > a
>> > >> >> > great exercise challenges on so many levels all in the one go.  
>> > >> >> > Still
>> > >> >> > fussing with it..still trying...
>>
>> > >> >> > On Dec 17, 4:00 pm, mandoho...@comcast.net wrote:
>>
>> > >> >> > > I've been working pretty hard on Grub Springs, have recorded it
>> > >> >> > > three
>> > >> >> times now but what's coming out
>> > >> >> > > is not what I'm hearing in my head, I'm not happy with it at 
>> > >> >> > > all. I
>> > >> >> think I have to grind it up again a few more
>> > >> >> > > times and see what comes out. This is strange for me as I'm not 
>> > >> >> > > the
>> > >> >> least bit bashful about my playing, I've
>> > >> >> > > been know to jump right into any jam, crash and burn and come up
>> > >> >> smiling like I meant to do it just like that.
>> > >> >> > > But this is different, serious folks that know what they are 
>> > >> >> > > doing
>> > >> >> > > and
>> > >> >> some mighty fine pickers. Not so easy
>> > >> >> > > to skin your ignorance in front of your heroes. I'm working on 
>> > >> >> > > it.
>>
>> > >> >> > > Clyde Clevenger
>> > >> >> > > Just My Opinion, But It's Right
>> > >> >> > > Salem, Oregon
>> > >> >> > > Old Circle
>>
>> > >> >> > > ----- Original Message -----
>> > >> >> > > From: "mistertaterbug" <taterbugmu...@gmail.com>
>>
>> > >> >> > > Can I say something here? Can I be slightly a hard ass? Here's 
>> > >> >> > > the
>> > >> >> > > deal...this tune of the month thing is about each of us playing 
>> > >> >> > > our
>> > >> >> > > interpretation of a given song/tune. That means, whatever your 
>> > >> >> > > muse
>> > >> >> > > tells you, that's what you do. If you hear a song in a different
>> > >> >> > > genre, have at it. If you want to play it on something beside
>> > >> >> > > mandolin, do it. Give your emotions their due. Give your whims
>> > >> >> > > their
>> > >> >> > > due. Give every phrase your best. Don't hold back and let the
>> > >> >> > > damned
>> > >> >> > > censor take over your creativity before you can even get started.
>> > >> >> > > Come
>> > >> >> > > on folks, there's enough empty musical dialogue in the world. 
>> > >> >> > > Make
>> > >> >> > > a
>> > >> >> > > point, take a stand, pour your heart out. I want to get to know
>> > >> >> > > your
>> > >> >> > > musical fingerprints...
>> > >> >> > > Instiga-tater
>>
>> > >> >> --
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>> > Enviado desde mi dispositivo móvil
>
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-- 
My CD of original tunes played on mandolin, mandola, and mandocello
http://www.HillbillyChamberMusic.com

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