Charles,

Why thanks.  True story.

Bill 

---- Charles Goldsmith <wo...@justfamily.org> wrote: 
> Bill, you amaze me with your stories.  That is a great one!
> 
> On Thu, Jul 10, 2008 at 8:39 PM,  <speleoste...@tx.rr.com> wrote:
> > Here's a story for you all.
> >
> > A few days after Christmas 1993 I got a phone call from a man who said he 
> > was a producer with Disney films. I thought some caving friend of mine was 
> > putting me on, like I've done a time or two (like the time Rick Bridges was 
> > on TV talking about Lechuguilla, so I called him and in my best fake French 
> > accent told him it was Jacques Costeau, and "we should do zee projects 
> > togezer.") Anyhow, this guy said that Disney had a script and an approved 
> > budget and they were going to make another Journey to the Center of the 
> > Earth. Their premise was that the Jules Verne story had happened, and now 
> > modern cavers were going to go back. It was to be a new story, not the same 
> > one. They invited me to come to LA and bring a duffel of caving gear, 
> > slides, and ideas of what sorts of gadgets cavers in the future might use. 
> > So I took them up on it and went to LA a couple of weeks later.
> >
> > The morning I was to meet at the Disney studios was the morning of the 
> > Northridge Earthquake. It happened in the wee hours of the morning. I was 
> > staying in well known cavers Matt Oliphant and Nancy Pistole's guest house 
> > behind Matt's parent's house on the north end of the LA basin. I didn't 
> > know what to do about the scheduled meeting at the Disney studios. The 
> > phones were out. So I picked my way around closed roads and made it to the 
> > studio in Burbank, which was closed. Eventually I managed to get through to 
> > an associate producer and we planned to meet at the director's home in 
> > Burbank later the next day.
> >
> > The director's (Charlie Haid) chimney on the side of his house was laying 
> > flat in his yard. For several hours I met with him, two producers, a set 
> > designer from England (who had designed the sets for the movie Willow), and 
> > a couple of other people. I showed them gear, slides of Huautla, Cheve, 
> > Golondrinas, Honey Creek, etc., and entertained them with caving stories. 
> > They got me to speculate about what cavers of the future might have, like 
> > lightweight lights with very bright beams (this was pre-LEDs), radio 
> > headsets in helmets like in Sylvester Stallone's movie Cliffhanger, and so 
> > on.
> >
> > The movie was a go and they started planning locations. They were in 
> > constant touch with me and offered to hire me away from my job for one 
> > year. I named a price, which I thought they would think would was too high 
> > ($250K) and they agreed to it. They let me read their script and I told 
> > them there were lots of things that cavers would scoff at. They let me 
> > re-write it to the point that I thought cavers would like it.  I still have 
> > a copy of that script.  I've thought about donating it for the TCMA auction.
> >
> > Then the whole project fell through when Disney president Frank Wells, who 
> > had climbed the Seven Summits, and was somewhat the outdoorsman, who 
> > planned on making a series of outdoor adventure films and had already made 
> > Iron Will, which Haid directed, was killed in a helicopter crash while 
> > remote skiing. The Journey project was immediately shelved. About a month 
> > later the producer called me and said he was going on to other projects and 
> > he didn't know what would happen to the movie. He said, and I quote, "My 
> > guess is that they'll change direction and start making goofy animated 
> > films instead." Michael Eisner got Frank Wells job, and the rest is 
> > history..
> >
> > Bill
> >
> > PS - I asked them if Kurt Russell could play me, and they said they 
> > probably could do that.
> >
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