/The Mennonites: Photographs by Larry Towell/ just opened at Arthur Ross Gallery on Penn campus, at 220 S. 34^th St. This black-and-white collection represents 10 years of work with a specific community that spans two nations. It combines an artistic effort with skill at ethnography and a concern for communities being buffeted by contemporary global economic pressures. It is at once lush and spare, honest and moving. The Towell exhibit was organized in part by Magnum, a business agency for fine-arts photographers. It is on tour now; its last stop was Paris. One of half a dozen different galleries on Penn campus, Arthur Ross is in the Fine Arts Library building. Although small, it is the only exhibition space with license to range across every artform at will. It is entirely owned by the University of Pennsylvania but independent of any department, explained Associate Director Dejáy B. Duckett. Its bedrock funding consists of a dedicated endowment by a single large donor around 30 years ago. This pays for organizational functions, carried out by a salaried staff of three together with contract work like UC-list's own Ray Rorke, who prepares vinyl exhibit signage for AG on demand, for pay. "He's very talented," said Sara Stewart, gallery coordinator. However, the cost of ARG's exhibits (which number in 2007) is entirely borne by large and mid-sized private grantors. This money comes from in part from a stable of sources; most are other branches of Penn but many are independent donors. During any one year, a half-dozen different ones may be tapped. ARG draws heavily from a support group, Friends of Arthur Ross Gallery. Long headed by the famed Broadway actress Kitty Carlisle Hart, who recently died, FoARG covers an essential component of ARG's ongoing program of exhibits. It has no internet page, no public meetings and can only be contacted through personal reference. Exact fiscal numbers are not available. Because ARG is a branch of Penn, all of its budget details are confidential, as are minutes of all its organizational meetings. Its 2007 activity ranges between $100,000 and $1 million, Duckett suggested. ARG is committed to carrying out the agenda of all its grantors, Duckett affirmed. If a grantor comes with an exhibit in mind that fits ARG criteria and needs, ARG will gladly consider it. ARG has never rejected a grant for political or other reasons, Duckett said. Some of the time, though, grantwork flows the other way. Exhibits seek out the Gallery, which then seeks out familiar sources to cover the expenses. The ultimate grantor for ARG is the University of Pennsylvania, which directly salaries all its employees. It is Penn's agenda that rules. Every exhibit must be hooked into an educational and artistic mission that involves and enhances some other branch of Penn. There is no corresponding commitment for ARG to represent the University City or West Philadelphia community. The Gallery holds no public meetings and provides no internet services to facilitate community feedback or input into its shows, at this time. It is about to launch a listserve, however. That does not mean the Gallery is closed to community contacts. "The best way for anyone to explore anything like that," said Duckett, "is to contact me and arrange a personal meeting with me." Marketing and publicity is crucial to ARG's mission. It pushes out press releases through Penn News, the university's PR department, but has no further resources beyond its own staff time. The current exhibit is a good example. A Penn intern, Liz Frasco, contacted a wide array of Pennsylvania Mennonite churches, schools and cultural institutions to publicize the Towell show. One of her contacts was the University City Mennonite congregation. "Their administrative assistant did express concern that the title of the exhibit was misleading," Duckett related. Most Mennonites, in particular the Mennonites of University City, live a very different life from that portrayed in Towell's photography. They are multi-ethnic, with churches in Chinese and Spanish as well as English. German is little spoken in this city. Philadelphia Mennonites seek to function conventionally in the urban environment where they live. Towell's work, however, is devoted to one branch of Mennonism labeled the 'Old Colony Mennonites'. This community settled in Russia 300 years ago, leaving behind a German-speaking homeland. Whenever times turned tough for this group, from 1890 to 1990, most emigrated, first to Canada, then to Mexico, then back to Canada, always looking for viable agricultural land. The carefully curated exhibit makes clear the complex and shifting social boundaries of the particular group Towell worked with. Towell will be present at a reception at the Gallery on sep 11, from 5 to 8pm. The public is invited to meet him in person. One other community service should be noted. The Gallery is available for small banquet or party space rental. Contact Stewart at [EMAIL PROTECTED] <mailto:[EMAIL PROTECTED]> for more information.

-- Tony West

Reply via email to