Okay, here's where I almost entirely agree with Jessica. To me, this
"other" Kevin (this one ain't from Jersey) Smith's article has nothing to
do with copyright and library's rights, but an internet illness based on
utopian expectations leading to faulty thinking. Jessica's argument,
however, doesn't take into account that this guy's reasoning has a fatal
flaw past the morality and ethics of it.

I dislike this article intensely by Smith because like most articles of
this nature, it takes a specific case and blows it up from the *ab absurdo*
(I believe my memory of Latin is correct) to a blanket conclusion. In other
words, because you can't download one item, you should be able to download
*all* items. What's the percentage of material out there that libraries
can't buy in a more stable, higher quality format, ie. CDs.

It's a very common disease in the digital age to insist that everything HAS
to be available. It *should* be and maybe it will be one day, but that will
take time, legislation and energy -- as well as increased taxes to support
the arts.

Rather than support the illegal download of copyrighted material, the *real*
obvious conclusion is that the ALA should work with Itunes to come up with
a secondary system for libraries that's fair and equitable. That's a huge
amount of business they could have.


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Dennis Doros
Milestone Film & Video
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On Wed, Jul 30, 2014 at 9:03 AM, Laura Jenemann <[email protected]> wrote:

>  Dear videolib,
>
>
>
> A recent post from Kevin Smith (Duke’s Scholarly Communication Officer) on
> digital-only music, and what libraries might or might not do about it:
>
>
> http://blogs.library.duke.edu/scholcomm/2014/07/28/planning-for-musical-obsolescence/
>
>
>
> Here are some comments that may resonate with media librarians:
>
>
>
> “At a recent consultation to discuss this problem, it was interesting to
> note that several of the lawyers in the room encouraged the librarians to
> just download the music anyway and ignore the licensing terms, simply
> treating this piece of music like any other library acquisition.  Their
> argument was that iTunes and the LA Philharmonic really do not mean to
> prevent library acquisitions; they are just using a boilerplate license
> without full awareness of the impact of its terms.  But the librarians were
> unwilling.”
>
>
>
> Regards,
>
> Laura
>
>
>
> Laura Jenemann
>
> Film Studies/Media Services Librarian
>
> George Mason University
>
> 703-993-7593
>
> [email protected]
>
>
>
> VIDEOLIB is intended to encourage the broad and lively discussion of
> issues relating to the selection, evaluation, acquisition,bibliographic
> control, preservation, and use of current and evolving video formats in
> libraries and related institutions. It is hoped that the list will serve as
> an effective working tool for video librarians, as well as a channel of
> communication between libraries,educational institutions, and video
> producers and distributors.
>
>
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

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