Without having seen the original MS it's difficult to be sure if Chrysander's edition is wholly accurate, certainly his naming the two upper staves of the system as for guitar seems editorial (since he places the chittara in brackets). It would also be revealing to see if this MS usually identifies a particular instrument on the top line or if it was assumed (a violin, oboe or flute perhaps). Further, if the upper line is played an octave down (as you rightly suggest more in the period guitar tessitura) it crosses the bass line (eg bar 2).
I suggest it more likely that the composer simply expected the guitar to play along as continuo (hence second line down duplicating the bass stave) and that a violin, or flute or oboe played the melodic upper line. the bass then played by cello with/without keyboard. MH --- On Sat, 9/5/09, Mjos & Larson <rockype...@earthlink.net> wrote: From: Mjos & Larson <rockype...@earthlink.net> Subject: [VIHUELA] Haendel - Cantata Spagnuola To: vihuela@cs.dartmouth.edu Date: Saturday, 9 May, 2009, 7:07 AM I have been thinking to ask this group for ideas and suggestions on approaching Haendel's "No se emendera jamas " (Cantata Spagnuola a voce sola e Chitarra) for some time. The Chrysander edition is online at: [1]http://daten.digitale-sammlungen.de/~db/0001/bsb00016889/images/inde x.html?id=00016889&fip=66.41.254.100&no=5&seite=44 Is it safe to assume it was written for a standard baroque guitar in E? I have no idea of the original source, but given the range of the part marked "Chitarra" I would think to play the melody down an octave from Chrysander's G-clef notation, which would take the melody from the fifth fret first string down to the second fret on the fourth course. This strikes me as a bit low for playing a solo part above the continuo. The bass notes only seem just to be a continuo line to harmonize. How might members of the group have performed this, and with what instrumental forces? Theorbo continuo only, or harpsichord? Bass viol only? Or do do we take the subtitle literally that it is only voice and guitar? Then we have a bit of a range problem with the written bass line and upper part (assuming my octave transposition of the upper voice). Does someone have knowledge of the original notation to be able to comment on the faithfulness Chysander's edition? He claims it is faithful here: [2]http://daten.digitale-sammlungen.de/~db/0001/bsb00016889/images/inde x.html?seite=7 -- R To get on or off this list see list information at [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. http://daten.digitale-sammlungen.de/~db/0001/bsb00016889/images/index.html?id=00016889&fip=66.41.254.100&no=5&seite=44 2. http://daten.digitale-sammlungen.de/~db/0001/bsb00016889/images/index.html?seite=7 3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html