I believe they (Ex-Cathedra dir. Jeff Skidmore) did use the edition not, of course, expecting all the subsequent trouble.
Mh --- On Tue, 10/5/11, R. Mattes <r...@mh-freiburg.de> wrote: > From: R. Mattes <r...@mh-freiburg.de> > Subject: Re: [VIHUELA] Re: Guitar continuo example > To: "Martyn Hodgson" <hodgsonmar...@yahoo.co.uk> > Cc: "Vihuelalist" <vihuela@cs.dartmouth.edu> > Date: Tuesday, 10 May, 2011, 15:03 > On Tue, 10 May 2011 14:37:10 +0100 > (BST), Martyn Hodgson wrote > > > If you're interested in the bacground and legal > arguments, there are > > summaries of the case, known as Sawkins v Hyperion > Records Ltd 2005, > > on various sites such as > > > www.4-5graysinnsquare.co.uk/news/index.cfm?id=1391 > > Thanks for the link. One intersting question: did the > performers of > the hyperion record actually _use_ the edition? > > Sacry quote: "The response of the claimant, which the judge > accepted, > was that none of the music could have been played or > performed by > using any of the earlier extant Lalande scores." > > Poor old french musicians from the baroque - living in a > time with > such wonderfull music that they could not perform :-/ > > Cheers, Ralf Mattes > > To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
