On Mon, 14 Oct 2019 06:02:59 -0700 James Jones <jajo...@nvidia.com> wrote:
> On 10/13/19 2:05 PM, Scott Anderson wrote: > > (Sorry to CCs for spam, I made an error in my first posting) > > > > Hi, > > > > There were certainly some interesting changes discussed at the allocator > > workshop during XDC this year, and I'd like to just summarise my > > thoughts on it and make sure everybody is on the same page. Hi Scott and James, thanks for the write-up, it all sounds good to me FWI'mW. > -As you note, this limits things to formats/layouts that can be > composited (basically, things that can be textures). "Things that can > be textures" is a superset of "Things that can be scanned out" for these > purposes on our HW, so that's fine for NVIDIA. Does that hold up > elsewhere? A secondary motivation for me was that the compositor could > transition back to compositing from overlay compositing without > requiring a blit or a new frame from the client in cases where that > didn't hold up, but I don't know if that's interesting or not. It is interesting. The compositor transitioning back from overlay to compositing without requiring a new frame from the client is a minimum requirement under normal circumstances in Wayland architecture. If a compositor cannot do that because of a buffer format, how could a conversion blit be possible either? In Wayland architecture, having the compositor (display server) wait for any client before it is able to update the screen is unacceptable because it has a high risk of disturbing visual glitches. OTOH, I have heard of special use cases, where all buffers should always go on overlays and falling back to composition would be considered a bug. For such cases, there are some ideas towards that at https://gitlab.freedesktop.org/wayland/weston/issues/244 . Thanks, pq
pgpj9Y2q2mukb.pgp
Description: OpenPGP digital signature
_______________________________________________ wayland-devel mailing list wayland-devel@lists.freedesktop.org https://lists.freedesktop.org/mailman/listinfo/wayland-devel
