Agreed. That Maud Liardion piece was stunning. So evocative.
-Peter Ciccariello ARTIST'S BLOG - http://invisiblenotes.blogspot.com/ -----Original Message----- From: phanero <[EMAIL PROTECTED]> To: WRYTING-L@LISTSERV.UTORONTO.CA Sent: Mon, 13 Mar 2006 22:13:07 -0800 Subject: Re: blastitude review (fwd) I've posted several of your pieces on the blog.. most recently the Maud Liardion piece.. I just thought you weren't reading anything!! The fountain was amazing, and the piece with the black smoky presence also.. There was also one which had beautiful writing.. Just got back from seeing Yale's Tokyo Quartet, playing on four Stradivariu, A cello, viola, and two matched violins.. this set of instruments is called the paganini quartet as i guess paganini played some of them or something.. we heard some mozart, higdon and brahms.. the reason i bring this up is the unconscious movements of the players are like dance, and in the specific bodily configurations manifesting and being manifested there was something which reminded me strongly of your work.. there was a kind of epiphenomenal manifold in which each was participating but also was experiencing.. anyway i thought of you as i watched those amazing musicians tonight and ritual is never far from the player but i've been listening to Giacinto Scelsi today lq ----- Original Message ----- From: "Alan Sondheim" <[EMAIL PROTECTED]> To: <WRYTING-L@LISTSERV.UTORONTO.CA> Sent: Monday, March 13, 2006 9:31 PM Subject: blastitude review (fwd) > (my new attitude since my work doesn't garner comments any more on the > lists, so well as might advertise with jetlag) > > > > > http://www.blastitude.com/19/RECORDS.htm > > RITUAL ALL 770: The Songs CD (FIRE MUSEUM) > This just in: a label from San Francisco called Fire Museum Records has put out a CD reissue of the debut album by > Alan Sondheim's classic Providence-based Ritual All 770 band. (Man, this is the fourth Providence-related review in a > row, and I'm strictly using alphabetical order here. That town must really be "The New Seattle.") The album is called > The Songs, was recorded in March 1967, was self-released in enough of an edition for the name "All 770" to end up on > the NWW list, and is a must-hear for fans of the group's two subsequent albums on ESP-Disk (Ritual All 770, also from > 1967, and T'Other Little Tune, from 1968). In fact, it's my favorite of the three. Gorgeous but constantly challenging > improv mystery-movement with femme-chorale vocals. Sondheim is credited with a super-whopping 19 different instruments > (including his slippery weird electric blues guitar leads that you will remember from the ESP releases), and is joined > by others on a basic core lineup of bass, trump > et, cornet, "jazz drums," and tabla (with many other instruments filling out the ensemble). Again, the two women on > vocals are awesome (Ruth Ann Hutchinson and June Fellows). Also check this wild interview with Mr. Sondheim, and > there's always the strange and deep asondheim.org. > > > > > out now! ritual all 770/ > alan sondheim- the songs fm-04 > > fire museum records > p.o. box 591754 > san francisco, ca. 94159 u.s.a. > http://www.museumfire.com >
