It's fine. I'm sorry, I don't take interest in the question.
On Wed, Jun 10, 2020 at 5:37 PM John Muse wrote:
> Hi, Bernard. I often teach a Film on Photography course and just as often
> include Memento in the syllabus… only to remove it. Have you taught it?
> How does it work for students?
Hi, Bernard. I often teach a Film on Photography course and just as often
include Memento in the syllabus… only to remove it. Have you taught it? How
does it work for students?
Thanks!
j
> On Jun 10, 2020, at 4:49 PM, Bernard Roddy wrote:
>
> Dear Albert:
>
> This is a nice invitation
Hi, Albert. Please consider adding Agnes Varda’s Ulysse to your list as well as
the other films in her Cinévardaphoto: https://www.imdb.com/title/tt0423987/
And I humbly (and not so humbly) submit the following proposal for your
consideration:
Dear Albert:
This is a nice invitation to read (I quote it below). For me it leaves too
much to consider. I had two reactions.First, I have been interested in
conceptual art's use of photography. Under these terms we would have to
impose a "post-photographic" restriction on what constitutes
We have a lot of these books in the PFA library (you're in the Bay Area
right?). In the next couple of months when things reopen you will be able
to drop in to read them all you want. And if there's a title we don't have
that you want we can maybe buy it. Public libraries can also request to
Pirates
https://www.youtube.com/watch?v=tsYxky87L6I
Best
Jaime
Sent from my iPad
> On 9 Jun 2020, at 05:38, Michael Betancourt
> wrote:
>
> my movie, Postcard Film
>
>
>
> Michael
>
> mich...@michaelbetancourt.com
> Sent from my phone
>
>>> On Jun 9, 2020, at 6:06 AM, Albert Alcoz
I have one issue of this magazine Supervisuel #3
Supervisuell #3 Gregory Markopoulis article, STO PALIKARI, article by Jonas
Mekas, Bridget Hein article and llustration General Info by Robert Nelson
Cover: “The Mysteries” by Gregory Markopoulis and Photos from Robert Beavers
“Winged Dialogue”
Joel’s book is not very expensive and worth purchasing if you are serious about
using a Bolex. I wish such a book was available when I first started making
16mm films.
Dominic
> On Jun 9, 2020, at 1:08 PM, Justin Rhody
> wrote:
>
> Anyone know where I can find pdf's of these books?
> (or
Thank you all for this amazing list of films.
As we see this subject is huge because many filmmakers have used
photography or still images to create their films.
I didn't know Gary Beydler's film used a mirror. Never had a chance to see
it. Thank you Dicky and Mark for the explanation. At first,
Hello
A bunch that came to my mind:
Jean Gabriel Periot's We Are Winning, Don't Forget:
https://www.dailymotion.com/video/x7m92r
Lene Berg's False Belief and Stalin by Picasso
Chris Kennedy's Watching the Detectives
Marker's Si j'avais quatre dromadaires
Heimat Is A Space in Time by Thomas
Hello Albert,
Depending on where your definition of "experimental" reaches to:
- I don't have much detailed memory of Boris Lehman's Histoire de ma vie
racontée par mes photographies (apart from having really enjoyed it), but the
trailer confirms that not all the photographs in question
Hello Albert,
I've seen a film by or about the late Robert Frank containing a scene where
he drills a hole through a hefty stack of photographic prints. My memory is
that the audience was audibly shaken at the destruction while I thought it
was kind of a bullshit move. With all due respect,
Gusztáv Hámos, Katja Pratschke
https://vimeo.com/142511201
http://www.hamos.info/dokumente/kuration/Photofilm_Prog_25022010V3.pdf
https://vimeo.com/142511201
Thomas Bartels auf Vimeo https://vimeo.com/thomasbartels
Hello all,
I was making a list of experimental film practices on
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