i saw pullen in melbourne a few years back, at the now defunkt " redheads" -
agent patrick and myself had a bahnstormin' night in da small room in the
epicentre of the club, where a guy / girl combo were layin down some serious
grooves. we flew [ 600 ] miles to hear stacey, but alas, 15 mins later , we
found ourselves in a room with a much better vibe. i didn't catch him on his
recent sojourn: can anyone from sydney give me tha lowdown on what happened
there?........thanx.james bond.
----- Original Message -----
From: "Cyclone Wehner" <[EMAIL PROTECTED]>
To: "313 Detroit" <313@hyperreal.org>
Sent: Wednesday, October 11, 2000 9:29 PM
Subject: Re: [313] Ben Sims


>
> >He came as a highly recommended and relatively unknown artist and left
with
> >a reputation as one of the greatest DJs on the planet. Not since Luke
> >Slater's first visit as an artist has an artist left such an impression
on
> >Australia.
>
>
> Not sure about that - but this is a press release-speak, right? And it's
by
> a Brit, too? :) He made a great impression in Melbourne but, alas, no one
> knows who Ben Sims is in Sydney - except for the DJs! The Sydney scene as
a
> whole just doesn't embrace that music at all. Melbourne, Adelaide and you
> could add to that Perth are the techno cities here - according to the
> industry consensus.
>
> I think Stacey Pullen left by far the greater impression in Melbourne a
> couple of weeks ago among a wider demographic!! He played for six hours in
> Melbourne at the Innovator party along with Derrick Carter  - and he
played
> 'til he was so tired he was kneeling at the decks, and it was sensational.
> It was an appreciative, sophisticated crowd and the night had a great
vibe.
> People are still talking about it! I think it was an inspiration to pair
up
> these two DJs as they have a great rapport and inspired each other and
both
> attracted slightly different crowds who ended up experiencing the other DJ
> for the first time and were converted. It was a good contrast of
> personalities, too - Derrick's droll humour to Stacey's joyful
whimsicality.
> Derrick played deep and slipped in a few quirky R&B type records - like
Mary
> Mary's Shackles (Praise You), which is a uptempo gospel/R&B track and a
top
> 2 hit here, and The Artful Dodger feat Craig David. I believe he played
the
> Mayday mix of Jaguar, too. Then Stacey played tech-house through to house
> and finished with a drum 'n' bass track by Goldie (we think) and Stevie
> Wonder during his encores. I am not sure if it's common practice elsewhere
> for DJs to do encores but in the clubs they often do them here due to
crowd
> reception. Stacey received an ovation here - it was the bomb.
>
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