I know I've commented on this before, and not to be snarky, but how
does everyone feel about techno-electronic journalism these days?

as an undergrad at the Univ of Chicago, I was exposed to and guilty of
ridiculous language, metaphors, and concept mashing, but about the
only legible writing I find is on Kent's blog and infinite state
machine.  Does everyone have to sound like an NYU grad student to be
allowed to write about urban electronic music scenes?

Pardon my persistent tone of criticism, I also have a glass of wine in
me.  Also, I don't necessarily disagree with all the author's points.
I'm just tired of a certain style of electronic music content
generation and re-generation by the brooklyn rastafarian class (where
I live).  Aside from all this, I'm certainly in seeking of new
stimulation and activity, but not seeking enough to devote myself to
set time aside and do something about it.

Now where's my glass of scotch.

On Wed, Mar 10, 2010 at 4:44 PM, Robert Taylor <rdtay...@channel4.co.uk> wrote:
> http://dontpaniconline.com/magazine/croydon-the-new-detroit
>
> Discuss.
>
> Heheheheheh.
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