Oh, and the film in question is on BBC2 tomorrow:
 
http://www.bbc.co.uk/programmes/b00rkm3y

Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
 VT Library Users' Guide

-----Original Message-----
From: Robert Taylor 
Sent: 12 March 2010 14:58
To: Robert Taylor; phonop...@googlemail.com; kent williams
Cc: list 313
Subject: (313) Article on Detroit in the UK Guardian

 
I haven't read it yet, but thought people on here would be interested:

http://www.guardian.co.uk/film/2010/mar/10/detroit-motor-city-urban-decl
ine
Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
 VT Library Users' Guide

-----Original Message-----
From: Robert Taylor [mailto:rdtay...@channel4.co.uk] 
Sent: 12 March 2010 14:56
To: phonop...@googlemail.com; kent williams
Cc: list 313
Subject: RE: (313) Croydon Is New Detroit

I think the article makes a number of useful comparisons but it wasn't
intended to be taken too seriously.
I find the various directions dubstep and UK house have taken extremely
interesting though.
Dubstep was so easily dismissed and pigeonholed as one dimensional and
not particularly innovative but it has broadened and diversified in so
many surprising directions. 
Also, many different genres and subgenres in the UK seem to have
converged and ended up sounding very similar which I think ought to be
noticed. 


Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
 VT Library Users' Guide

-----Original Message-----
From: Tristan Watkins [mailto:phonop...@googlemail.com] 
Sent: 11 March 2010 00:35
To: kent williams
Cc: list 313
Subject: Re: (313) Croydon Is New Detroit

On 10/03/2010 22:23, kent williams wrote:
> I think the article makes some good points but mostly in the context
> of the UK, where musical sub-genres are written about as though they
> were stars in their own right.
>
> The Detroit attitude is, I'd hope, more eclectic, and the musicians I
> talk to think more in terms of good or bad than this genre or that
> genre. So I can talk with Alan Oldham about Creation Records Shoegazer
> bands, and with Shake about Cooly G.
The way I read it, he was saying that eclecticism and perpetual 
reinvention is precisely what makes dubstep (so far) like the early days

of Detroit techno - that it is evolving very quickly, pulling in 
influences from all over the shop and is difficult to pin down. I think 
that's a fair point. If you listen to a lot of the best dubstep 
producers' DJ sets you'll find influences from all over the last 25 
years and within the various styles of dubstep.

Also, I think there's a misperception that it's just kids making this 
stuff. Untold has been producing since '93 according to this RA article:

http://www.residentadvisor.net/feature.aspx?1105

Not that I think the comparison can stretch for miles or that anyone 
should take it out of context.

Ultimately, I'm just getting a bit irritated with people making more out

of it than it is or of writing it off altogether. Whether it's to 
everyone's taste is one thing but I would hope it's evident that this 
isn't narrow or purely derivative. In my mind it's one of the more 
interesting things to happen in a long time precisely because it's not 
as narrow and codified as any of the previous big electronic music 
trends. It's almost the complete opposite.

Tristan
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